Pioneering Performance Capture Companies to Host Los Angeles Open House Event
Leading motion- and facial-capture companies Animatrik Film Design, Dimensional Imaging (DI4D), and Technoprops to host Open House events January 19-22 in Del Rey, CA.
Leading motion- and facial-capture companies Animatrik Film Design, Dimensional Imaging (DI4D), and Technoprops to host Open House events January 19-22 in Del Rey, CA.
Under the lead of VFX supervisor Nicolas Chevallier, Cinesite provides digital matte paintings and set extensions, fluid and particle simulations, character animation, lighting, compositing and more for director Alejandro González Iñárritu’s ‘The Revenant.’
Open to 20 selected applicants, six-month program designed to train to train filmmakers from the U.K. and France in VFX and Stereo 3D techniques runs June through November 2016; deadline for submissions is March 1.
Luxion strengthens its real-time rendering and lighting simulation focus with patent on industry-leading HDR technology.
Nominees for Best Animated Feature are ‘Anomalisa,’ ‘Boy and the World,’ ‘Inside Out,’ ‘Shaun the Sheep Movie,’ and ‘When Marnie Was There.’
Action-packed short film written and directed by Seth Worley showcases masterful visual effects and post-production completed with the help of Red Giant Trapcode Suite, Magic Bullet Suite, Keying Suite and more.
From submission to entry vetting and voting, production tracking, review, and asset management software Shotgun is the center of awards tracking and management process.
American Society of Cinematographers nominates ‘Beasts of No Nation,’ ‘Macbeth’ and ‘Son of Saul’ for Spotlight Award recognizing outstanding cinematography in feature-length projects screened at festivals, internationally, or in limited theatrical release.
Disney veteran to succeed Brad Globe, who will step down in February after more than a decade overseeing WBCP.
New video from MPC Creative goes behind the scenes of the ‘Goosebumps’ Virtual Reality experience created for Sony Pictures.
Nexus directors Smith & Foulkes announce the release of ‘Animals,’ a 60-second commercial for U.S. business messaging interface Slack.
Flame artist has previously worked with Big Block, Brand New School, Digital Domain, Fuel, Logan and MPC.
Competition judges include Virtual Reality/Augmented Reality luminaries from Microsoft, Oculus, Sony, PTC Unity Technologies, University of Southern California and UploadVR.
‘Star Wars: The Force Awakens’ leads feature film nominations; ‘The Peanuts Movie’ is top animated film contender; ‘Game of Thrones’ leads the broadcast field and scores most nominations overall.
Animated feature nominees include ‘The Good Dinosaur,’ ‘Hotel Transylvania 2,’ ‘Inside Out,’ ‘Minions’ and ‘The Peanuts Movie.’
Managing director Maria Hanafy to run international animatics shop’s 10th location, joining offices in New York, Chicago, Los Angeles, London, São Paulo, Bangkok, Tel Aviv, Düsseldorf and Shanghai.
Event sponsored by Rising Sun Pictures, The Foundry and Tyroe to provide young artists with insight into the minds of visual effects studios and recruiters.
Filmmakers join John Krasinski and Academy president Cheryl Boone Isaacs for Oscar Nominations in 24 Categories, including short animation, feature animation and visual effects.
Accomplished directors join live-action division; company adds Roxanneanco as East Coast rep for live action, design and animation.
Annual voting event showcases visual effects for the Academy’s shortlisted films: ‘Ant-Man,’ ‘Avengers: Age of Ultron,’ ‘Ex Machina,’ ‘Jurassic World,’ ‘Mad Max: Fury Road,’ ‘The Martian,’ ‘The Revenant,’ ‘Star Wars: The Force Awakens,’ ‘Tomorrowland’ and ‘The Walk.’
Sci-tech Oscars are awarded to Airwall, Dolby Laboratories, DreamWorks Animation, Image Shaker, ILM, LAIKA Animation Studios, Rhythm & Hues, Sony Pictures Imageworks, The Foundry and Tweak Software.
Award is the seventh win for Pixar Animation Studios from the Hollywood Foreign Press Association in the 10 years since the category was created.
The CEO at one of China’s top VFX studios assesses the often painful but mostly positive realities of China’s explosive feature film industry growth.