AICP joined with the STUDIO for animation to usher in rebrand at AICP Week.
Version 3.5 of the markerless mocap solution doubles tracking speed, increases calibration speed and accuracy and provides enhanced animation export functionality.
The ambitious new, hyperrealistic CGI comedy series is in pre-production for a planned 2019 broadcast.
Trollbäck+Company‘s striking show-opening animation revealed the first new AICP logo in 45 years at The Museum of Modern Art (MoMA).
The film’s producers Iryna Kostyuk, Egor Olesov and Anna Eliseeva will present the in-development film’s teaser introducing the protagonists on June 15 at MIFA.
Fast growing Swedish VFX and CGI company Goodbye Kansas has replaced previous brands Fido, Bläck, Imagination Studios and Pixel Grinder with Goodbye Kansas Studios, an integrated company consisting of 150 artists and producers.
Special print edition distributed at Annecy 2017 celebrates a year’s worth of creative excellence since industry professionals last gathered in France at the world’s largest and most prestigious film festival dedicated to the art of animation.
The LA-based creative agency used PipelineFX’s intelligent render farm manager to create the logo animation shown in films like Oscar-winner ‘Manchester by the Sea.’
Joshua Cox and the Bent Design Lab team evoke imaginative landscapes in CG shorts “Clouds,” “Cards,” and “Circus,” as part of a web and print campaign for Cramer Krasselt and ArcBest.
Laura Laas will be responsible for selling Gaumont’s animated television series within the EMEA territories and North America, as well as solidifying partnerships for worldwide co-productions.
Uniquely modern fairy tale about love commissioned by social media network Vero and Michael Fassbender and Conor McCaughan’s production company DMC Film is directed by Kibwe Tavares and produced by Factory Fifteen and Nexus, with the animation provided by Chocolate Tribe.
The exclusive theatrical screening of the animated Netflix series directed by Sam Deats will be open to RTX attendees on July 7 at 4:30pm at the Paramount Theater.
The delegation of 15 producers from Animation UK is attending Annecy International Animated Film Festival 2017 as a collective group for the first time, to fly the flag for British animation with support from the UK Department for International Trade.
Production VFX supervisor Christopher Townsend integrates the work of artists from around the world to wow audiences with Ego the Planet and other new digital characters in Marvel’s latest sci-fi action adventure hit.
Renowned Weta Digital senior visual effects supervisor to present the evolution of visual effects technology and artistry behind the final film in the trilogy at VIEW 2017 running October 23-27, 2017 in Torino, Italy.
New workflow promotes collaborative and scalable workflow across four Jellyfish Pictures’ sites through new PC-over-IP system.
SIGGRAPH’s fledgling VR showcase matures with a diverse array of new Virtual and Augmented Reality projects from around the world, all focusing on the theme of diversity.
Sketchfab integration with Reallusion’s Character Creator 2.0 adds instant and flexible sharing of 3D characters to other CC enhancements, including PBR shaders, image-based lighting options and a new substance material generator.
The new office will offer enhanced support for OptiTrack’s expanded European customer base and distributors.
With offices in India, Malaysia and South Africa, new full-service production and postproduction collective led by VFX industry veterans John Hughes and Helena Packer and film/TV/commercial director Kevin Donovan forms in Los Angeles.
Submissions for 18th annual VFX, computer graphics, games event running October 23-27, 2017 in Turin, Italy accepted through September 15.
Production company 1stAveMachine combines resources with VR community and platform Kaleidoscope to focus on producing branded VR content.
Warner Bros. tentpole feature launches new franchise with $225.6 million global bow; DreamWorks Animation’s ‘Captain Underpants: The First Epic Movie’ makes $23.5 million debut.
Vicon’s products, services and support will help Technicolor Experience Center build an immersive storytelling ecosystem.
Conjuring giant elephants, magical serpents and the out-of-this-world CG environments, London and Montréal studios contribute a total of 437 VFX shots to director Guy Ritchie’s Medieval adventure.
