The VFX & Post Talent Agency Adds to its Roster
The company brings on 6 new visual effects post-production experts, including Basia Lalik; Barney Curnow; Theo Demiristz; and Andrew Lim.
The company brings on 6 new visual effects post-production experts, including Basia Lalik; Barney Curnow; Theo Demiristz; and Andrew Lim.
Production Visual Effects Supervisor Frank Petzold talks about using in-camera effects wherever possible, eschewing loud and flashy CG sequences for more precise, realistic action centered around what’s captured on set, in Edward Berger’s harrowing and haunting Oscar-nominated war saga, now in theaters and streaming on Netflix.
The project, based on the popular franchise spanning multiple video games, films, and an anime series, is the latest in an overall deal between the streaming giant and the ‘Fleabag’ author.
‘The Bad Guys,’ ‘Guillermo del Toro's Pinocchio,’ ‘Marcel the Shell with Shoes On,’ ‘Puss in Boots: The Last Wish,’ and ‘Turning Red’ are nominated in the animated features category; winners will be announced at the March 5 awards ceremony.
Co-Chairmen and CEOs of DC Studios Peter Safran and James Gunn dive a bit deeper into the next generation of DC films and television series, and how the new core continuity will work.
The award-winning VFX studio’s team, led by Connor Ling and Freddy Salazar, created tools integrated with Unreal Engine 5.1 to render and project realistic backgrounds onto an LED wall using 18 different machines with dual GPUs, for the Netflix series about an ocean liner diverted to answer a distress signal from a long-lost sister ship.
The app can now use real or rendered images - from smartphones, game screenshots, and design applications - to create a virtual reality scene.
The sequel to Matt Reeves’ ‘The Batman’ will hit theaters October 3, 2025 under the DC Elseworlds banner, separate from the new DC Universe core continuity just revealed by James Gunn and Peter Safran.
The streamer shares key art and a featurette to tide fans over until the new 8-episode season’s March 1 release; Lucasfilm’s original live-action series follows the continuing journeys of Din Djarin through the Star Wars galaxy.
Tapping NantStudio’s advanced LED stage powered by Unreal Engine for its ‘auto demo’ project, the studio demonstrates the sustainability impact of harnessing the cutting-edge technology, both in financial and environmental costs.
The studio delivered almost 400 visual effects shots, with its London facility producing a single 10-minute sequence and Montreal facility creating a range of sequences, including full water simulations, integrating CG ships, digi-doubles and a helicopter crashing into the ocean.
The upcoming shows – almost all live-action - make up ‘Chapter 1’ of the new core, interconnected DC Universe; the first film, ‘Superman: Legacy,’ hits theaters July 11, 2025.
Former Zoic exec to helm AGBO’s recently acquired virtual production studio, specializing in real-time applications in visual effects and animation, to be housed at its downtown Los Angeles creative campus.
The iconic admiral is forced to confront the legacy of his past and new revelations that may alter the fate of the Federation; Season 3 premieres February 16 exclusively on Paramount+.
The visual effects supervisor discusses creating the show’s iconic, disembodied hand, along with the demonic Hyde creature and spooky Nevermore Academy, on Netflix’s hit supernatural coming-of-age comedy, recently renewed for Season 2.
The hybrid edition, focusing on the art, technology, and business of animation, visual effects, and interactive and immersive media, returns to Stuttgart April 25-27 with an exclusive online day April 28.
The VFX supervisor and compositor’s vast experience includes Pharrell Williams’s music video, ‘Cash In Cash Out,’ and the VES award nominated commercial B&Q ‘Flip.’
The studio transforms London into a dilapidated landscape dwarfed by towering statues of Greek Gods, creating the backdrop for the sci-fi series starring Jack Reynor and Chloë Grace Moretz, now streaming on Prime Video.
An early adopter of real-time tech, the London-based VFX studio promotes its Head of Studio to serve alongside creative director Chris Lunney and founder Nic Hatch.
While the cancelation of both series after their fourth seasons came as a shock to fans, James Gunn claims he and DC Studios co-CEO Peter Safran are blameless.
Students at the Pearson College school helped deliver more than a dozen shots on the upcoming feature about a retired Irish paramilitary who witnesses an SAS officer’s fatal shooting of his pregnant wife.
Deal for the cloud-based task management platform bolsters the cloud provider’s suite of solutions for VFX and animation studios, adding on-demand burst rendering.
In his triumphant return to the exotic world of Pandora, director James Cameron once again employs the most vibrant and stunning visual artistry to share with audiences his central theme of diversity.
The visually stunning sequel from James Cameron becomes the sixth film in history to earn over $2 billion in global sales, his third, and the star’s fourth.