Annual event showcasing the world’s top professionals, academics and creative minds at the forefront of digital imaging, research, science, art, animation, gaming, interactivity, education and emerging technologies runs December 5-8 in Macao.
AAA game developer Bungie taps markerless motion capture system to enhance the facial expressions and emotions of Lord Saladin of the Iron Lords in Destiny: Rise of Iron.
Final trailer for director Gareth Edwards’ forthcoming installment in the ‘Star Wars’ saga sets up a familiar story of a parent and child at ideological odds with glorious visuals that hint at the film’s epic scale.
VFX supervisor Russell Earl discusses the climactic airport battle complete with fully CG super heroes, environments and hundreds of digital assets on Marvel’s latest ‘Captain America’ franchise hit.
Professional 3D modeling and animation software revamps MeshFusion, adds automatic Retopology to final installment of MODO 10 series.
London-headquartered VFX house partners with Madefire to launch first-ever Virtual Reality comics platform with the debut of original episodic series ‘Somnia: Origins.’
With the 2016 VIEW Conference kicking off October 24, watch AWN's two-part interview with Ben Snow from the 2015 edition.
“Spiritual successor” to ‘Bullet Train,’ the critically-acclaimed Virtual Reality demo revealed at Oculus Connect 2 coming in early 2017 free for all Oculus Rift owners.
Countdown to VIEW 2016: Two-time Oscar-winner Rob Legato, visual effects supervisor for Disney’s The Jungle Book, rounds out a stellar VIEW 2016 program; Film, Games, and VR Industry leaders offer 18 workshops.
Director Ryan Simon and production company Strike Anywhere create the short film ‘Rebuilding Reality’ for the fifth-annual Future of StoryTelling Summit, a two-day, invitation-only gathering of 500 people held in New York City.
Metered licensing now default supervisor; added support for KATANA, Redshift, and Autodesk 2017 line.
Los Angeles-based visual effects studio creates menacing effects for FOX’s new series.
Global digital marketing and advertising executive brings 17 years of experience to broadcast design specialists.
In addition to attending industry events like Spark Animation in Vancouver, CTN eXpo in Los Angeles and Journée Québec in Paris, Cinesite’s recruitment team will be visiting several major international cities throughout October and November to meet potential recruits.
Oscar-winning visual effects supervisor who has worked with James Cameron, Robert Zemeckis and Martin Scorsese to present keynote address on his recent collaboration with director Jon Favreau on Disney’s photorealistic CG/live-action adventure reboot of the classic animated film.
Lausch named Head of New Business for client-direct; Haynes joins as EP to lead VFX work as the studio responds to continued growth.
Filmakademie alumni bring fresh look to new school year with reinvented logo.
USC’s World Building Institute kicks off New York FoS summit running Oct. 7-9 with Oct. 5 workshop led by celebrated production designer Alex McDowel.
Exciting lineup of industry visionaries including Brenda Chapman, Rex Grignon, Tomm Moore and Zeb Wells to share mind-expanding presentations.
New lightweight mobile computer features a reinvented pen experience and powerful creative tools including a 3D camera and the ability to run full versions of software.
MPC artists deliver more than 200 shots for 20th Century Fox’s fantasy feature including digital props, set extensions and character effects as well as ‘invisible’ effects used throughout the film.
“High and Low” music video weaves two worlds together with a mix of live-action and fantastical CG animation.
Wicked Comics offers a number of discount packages for fans and exhibitors alike for Malta Comic Con 2016.
Humor-driven sponsor reel employs 3D and stop-motion animation to bring viewers inside the mind of a designer working in advertising.
Gez Hixson promoted to head of production and Bournmouth, U.K.-based visual effects house.
