VFXWorld Magazine
2018 Academy VFX Bake-Off: Presenting a Phantasmagoria of Imagery
Creative teams from 10 Oscar hopefuls present their contributions at the Academy’s annual Visual Effects Bake-off held on Saturday, January 6 at the Samuel Goldwyn Theater in Beverly Hills, CA.
axisVFX Delivers 900 Shots for SyFy Hit ‘Happy!’
BAFTA Nominates ‘Coco,’ ‘Vincent,’ ‘Zucchini’
British Academy also picks five VFX nominees and nominates three homegrown candidates for the British Short Animation category.
WATCH: Extended TV Spot for Marvel’s ‘Black Panther’
Carbon Annexes Filmworkers Chicago and Vitamin
Industry mainstays Rob Churchill and Danny DelPurgatorio join as firm grows into the second largest VFX and design studio in Second City.
The VOID Integrates IKinema into ‘Star Wars: Secrets of the Empire’
U.K. company’s animation middleware added to the realism of the hyper-reality experience, now open at three locations worldwide.
Jungle Fever: MPC Conjures Photorealistic Realm for ‘Jumanji 2’
MPC VFX supervisor Bob Winter oversees the creation of CG environments, digital doubles, and a deadly jaguar attack for director Jake Kasdan’s ‘Jumanji: Welcome to the Jungle.’
Five Animated Features, Two Series Earn PGA Noms
Tie puts 11 titles -- including ‘Dunkirk,’ ‘The Shape of Water’ and ‘Wonder Woman’ -- in contention for top feature award.
Unreal Engine VFX Master Classes Coming to Los Angeles
Free course Jan. 20 at Gnomon School of VFX will cover building and optimizing CG worlds for real-time performance.
Boris FX, Microsoft Receive AIS Technology Awards
Group also will present Distinguished Leadership Awards to 13 women for their accomplishments in technology and business at Jan. 16 ceremony.
ILM, Pixar, DreamWorks Among 10 Academy Sci-Tech Honorees
Iloura Creates Ravaging Rhinos for ‘Jumanji: Welcome to the Jungle’
Iloura delivers one of the studio’s most complex sequences ever, including CG environments and effects, CG rhinos and helicopter, and digital doubles.
Fotokem Creates New World of Post For ‘The Last Jedi’
Hand-in-hand with filmmakers, FotoKem’s creative and technical teams supported global production on a massive scale.
Box Office: The Force Remains Strong With ‘Last Jedi’
Disney’s most-recent ‘Star Wars’ entry edges out ‘Jumanji: Welcome to the Jungle’ in busy holiday weekend.
Worlds of Wonder: Winter 2018 VFX Preview
This winter offers a franchise reboot, massive destruction on a global scale, and the return of Paddington the bear, but the real story just might be the worlds of wonder conjured up for the Disney adaptation of ‘A Wrinkle in Time.’
‘The Shape of Water’ Takes Form at Deluxe Toronto
Master storyteller Guillermo del Toro del Toro returns to Deluxe’s all-inclusive post facility in Toronto for end-to-end post-production services.
Wormholes & Scrappers: Double Negative Delivers Visual Feast for ‘Thor: Ragnarok’
VFX supervisor Stuart Lashley oversees 200 shots for the third instalment of the God of Thunder franchise, including wormholes, fiery crashes and attacks, high-rise apartment views, and the vast wasteland of Skakaar.
WATCH: Rodeo FX Unveils VFX Breakdown for ‘Blade Runner 2049’
From digital signage and sci-fi cityscapes to a completely remade Las Vegas locale, Rodeo FX delivers 75 visual effects shots for the sequel to Ridley Scott’s classic 1982 feature film.
141 Original Scores in 2017 Oscar Race
Members of the Music Branch to vote for up to five achievements; the five achievements receiving the highest number of votes will become the nominations for final voting for the award.
70 Original Songs Vie For 2017 Oscar
10 Contenders Remain in 2017 VFX Oscar Race
Visual Effects Branch’s Executive Committee narrows down the list to 10 films that will be voted on for nominations for the 90th Academy Awards.
Balancing Act: ILM Blends VFX Innovation with Franchise Consistency in ‘The Last Jedi’
Led by production VFX supervisor Ben Morris, visual effects powerhouse Industrial Light & Magic confidently seeks to honor the innovative spirit of the series without losing its heart.
Kevin Adds VFX Vets Dalzell, Maniatis and Loeffler
New hires bring more creative and technical firepower via their roles as head of CG, VFX supervisor and head of technology.