Join SIGGRAPH for their day-long July 28 workshop that will educate and inform about Inclusion, Diversity, Equity, Access, and Leadership (I.D.E.A.L.S).
High-profile creative hires Emile Ghorayeb, Keith Roberts and Spencer Cook join Gilman to bolster studio’s global expansion plans.
Runoff election for Film Editors Branch set to begin Monday, June 17.
Oscar winners ‘Spider-Man: Into the Spider-Verse’ and ‘First Man,’ ‘Stranger Things,’ ‘Avengers: Endgame,’ ‘Toy Story 4’ and ‘Game of Thrones’ among expansive slate of planned feature film, streaming, games and VR presentations.
The noted researcher and consultant discusses various aspects of artificial intelligence, how the technology is being used in visual effects and the dangers of unchecked deployment.
Pixar’s ‘Purl’ wins best in show; Supinfocom’s ‘The Stained Club’ wins jury award and Supinfocom’s ‘Stuffed’ takes best student film award.
Studio provides elaborate VFX, including full CG derailment, previs, matte paintings and digital background replacements, for 90-second Western-themed “Train” commercial.
Sci-fi thriller, set to hit theatres September 20, features Pitt taking to the stars to find his missing father, whose efforts threaten Earth’s very existence.
VFX supervisor discusses animation styles, production challenges and his efforts leading the visual effect team on Lord & Miller and Sony Pictures Animation’s Oscar-winning animated comic adventure.
Leading visualization studio shares just released images showcasing some of their extensive work on Joe and Anthony Russo’s box office smash, the final film in Marvel’s 22-MCU-movie ‘Infinity’ saga.
The studio revisits and revamps Hulk, Marvel’s smash-‘em-up, fan-favorite digital character they first brought to the screen back in 2003.
Studio’s Santa Monica headquarters has a number of job openings and is currently looking for talent to join their industry leading visualization services team.
Support for native Unreal materials and Viewport rendering bring powerful new capabilities to full user base.
New facility will operate solely using PC over IP without onsite hardware; ex-Framestore head of animation Kevin Spruce appointed new animation director.
VFX supervisor on Disney and Marvel’s action-adventure hit discusses the complex digital character work used to create a young version of Agent Nick Fury.
17 new RTX Studio laptops pair RTX GPUs with NVIDIA Studio Stack of SDKs and drivers to significantly improve performance and reliability for content creators.
Framestore’s Jonathan Fawkner and MPC’s Pete Dionne discuss the various ways visual effects were produced to help director Rob Letterman bring the smart-aleck yellow cartoon sleuth to the screen.
‘How to Train Your Dragon: The Hidden World’ director and PUBG CEO are the first announced presenters at upcoming October 21-25 digital media conference in Turin, Italy.
Custom cloud-based platform allows content producers to manage most projects on their mobile device.
Legendary artist shares concept design insights, George Lucas’ impact on his evolution as a designer, working through production design challenges and how he handles different opinions from strong creative voices on a film.
Veteran compositing supervisor brings with her more than 40 movie and TV credits including ‘Ghostbusters,’ ‘The Jungle Book,’ ‘X-Men: Days of Future Past’ and ‘Avatar.’
ILM’s SVP and Executive Director discusses studio production and management challenges as well as technology investment strategies and plans.
Showcase of 12 diverse works from five countries will run July 28-August 1 at the Los Angeles Convention Center
With a 'snap,' Weta Digital helps brings closure to both Josh Brolin’s seemingly unstoppable villain and the foundational storyline from the MCU’s first 10 years.
Image Engine lead animator details her work creating Drogon the dragon in the hit HBO series’ Season 7 Episode 4 battle where the Lannister army is incinerated as it tries to flee.
