Dell and NVIDIA host technology and creative workflow panel at Sony Pictures Imageworks featuring VFX supervisor Danny Dimian and layout supervisor Steve Childers.
VFX supervisor Devon Taylor and lead colorist Maria Carretero join full-service creative studio specializing in visual effects, motion graphics and design.
Former Carbon VFX creative director/lead flame artist brings two decades of experience working on high-profile commercial campaigns at notable shops including Chimney, Syndicate and Mirada Studios.
Los Angeles-based post-production facility handles editorial finishing, color grading and deliverables for the second season of MTV’s ‘Scream: The TV Series.’
Technology innovators join forces to raise VR Capture quality to the next level through IMAX camera and Google's Jump technology.
Bicoastal content-creation studio partners with Cisco on a series of cinemagraphs for the debut of the technology company’s newest international campaign, ‘There’s Never Been a Better Time.’
Former MPC VFX Producer has feature credits including ‘The Martian,’ ‘Suicide Squad’ and ‘X-Men Apocalypse.’
Sydney-born, Los Angeles-based commercial director has worked with brands including VW, McDonalds, Johnson & Johnson, Castrol, EBay, Powerade and Canon.
New production company is housed beneath sister editorial company EDITBAR in Boston is headed by founder Vanessa Macedo Lonborg alongside executive producers Phoebe Cole and Scott Burtnett.
Notable credits for veteran supervising sound editor and sound designer include Groundhog Day, We’re the Millers, Bridesmaids, Superbad and Talladega Nights: The Ballad of Ricky Bobby.
New trailer showcases spectacular visuals created by VFX house Double Negative as well as the close looks at the film’s cast.
New ‘Captain America: 75 Years of the Sentinel of Liberty’ retrospective art exhibit runs through the summer; opening celebration to be held Friday, May 27th.
Singer-songwriter performs Irving Gordon’s 1951 song, ‘Unforgettable,’ for the ‘Finding Nemo’ sequel’s end credit sequence.
Boutique visual effects and animation studio teams with production company Mercy Brothers and ad agency FCB West to bring a new two-spot Ghirardelli campaign to life.
With the departure of current CEO Michael Carrington to ABC Children’s as Head of Children’s and Education, Zodiak Kids CEO Jean-Philippe Randisi will now oversee Zodiak Kids Studios.
CBS unveils first-ever promotional video & logo for the highly-anticipated new ‘Star Trek’ television series.
Co-produced with China’s Youku Tudou, trailers for sci-fi series ‘Raven’ and animated immersive fairytale series ‘Storybox’ debut on YouTube, Facebook/Oculus Video, Jaunt, Littlstar, Vrideo and Samsung MilkVR platforms.
EFILM provides film scanning, Company 3 completes color grading, and Method delivers VFX and finishing for directorial short film debut premiering at the Cannes Film Festival.
U.K.-based performance capture studio partners with Finnish video game developer Remedy Entertainment to create large-scale in-game stunt sequences and player moves for Microsoft Studios’ blockbuster video game release.
Assimilate’s SCRATCH VR end-to-end workflow and tools employed for two Makropol-produced Virtual Reality projects showcased as part of the VR Days program at the 2016 Festival de Cannes.
New apps for Virtual Reality content now available for Oculus, HTC Vive, Gear VR and Google Cardboard; WebVR support allows users to explore all Sketchfab models in VR.
Technical papers selected to participate at SIGGRAPH 2016 include an exploration of Shadow Theatre, Virtual Reality mapping techniques, sketch-based motion editing for articulated characters, and more.
Short film written and directed by Thierry Lorenzi features VFX from ‘Deadpool’ and ‘Pacific Rim’ effects house Rodeo FX.
Executives from Hasbro, Jazwares and Mattel kick off LIMA’s Licensing University with opening address on June 21.
Director Dave Meyers of Zanmi Films and Strange Invention's VFX supervisor Todd Sarsfield team with Nice Shoes for a new music video for the signature song in Disney’s ‘Alice Through the Looking Glass.’
