After facing numerous delays due to the WGA and SAG-AFTRA strikes, work resumes in the new year; the series' final season will now premiere sometime in 2025.
The annual conference concludes its latest edition, which ran December 12-15 in Sydney; 5,690 attendees from more than 40 countries gathered, including technical and creatives in research, science, art, animation, gaming, interactivity, education, and emerging technologies.
DC Studios co-chairman James Gunn has confirmed the mysterious upcoming series will be canon and may feature characters and plotlines from other projects within the DCU; Reeves’ ‘The Batman – Part II’ and ‘The Penguin’ remain part of DC Elseworlds.
Although principal photography was completed before both the WGA and SAG-AFTRA strikes, additional shoots have been expected, delaying the film multiple times with the premiere now set for February 14, 2025.
After the success of the live-action adaptation, the streamer has teamed with franchise creator Eiichiro Oda, Shueisha, Fuji Television Network, Toei Animation Co., and WIT Studio to reboot the pirate tale following Monkey D. Luffy and his misfit crew.
Fred Armisen is set to star in a spinoff of the fan favorite supernatural mystery series chronicling Wednesday Addams’ years as a student at Nevermore Academy, which has been greenlit for a second season.
Disney Channel’s ‘Marvel's Moon Girl and Devil Dinosaur,’ and Netflix’s ‘Lost Ollie’ and ‘Kung Fu Panda: The Dragon Knight’ were three of the top shows among the winners at this weekend's two separate awards ceremonies.
VFX supervisor Alex Wang talks the Infected, Bloaters, massive Bloaters, a giraffe, and a crashing airliner as he breaks down the production of 3,000 visual effects shots created by DNEG, Wētā FX, Distillery VFX, Zero VFX, Important Looking Pirates, beloFX, Storm Studios, Wylie Co., RVX, Assembly, Crafty Apes, UPP, RISE, Framestore, Digital Domain and MAS on HBO’s critically acclaimed and wildly popular series.
The gripping adventure set amidst a future war between humans and the forces of AI debuts on the streamer December 20; also now available for purchase on digital and 4K Ultra HD, Blu-ray, and DVD.
Created by Paul Trillo, the short follows a cosmic teardrop throughout the Musée Du Louvre; behind-the-scenes short illustrates how traditional VFX and AI tools help realize creative visions.
The unlikely adventures of an angel and a demon, starring Michael Sheen and David Tennant, will conclude its run with an entirely original new season from co-creator Neil Gaiman.
See how the magic is made! Set to the hit Brozone tune, ‘Better Place,’ this all-new featurette from DreamWorks Animation's musical adventure comedy has it all: concept art - character designs - animation breakdowns - FX layers, and much, much more.
VFX Supervisor Dann Tarmy breaks down his team’s extensive use of water sims, including how they tackled the huge, new challenge of replacing water in plates where the actor was shot in the water, on Netflix’s biographical sports drama of marathon swimmer Diana Nyad’s attempts to swim from Cuba to Florida.
For Simon Hughes and his Union VFX team, Yorgos Langthimos’ dark comedy, a stunningly designed visual maelstrom, required something completely different from a typical VFX project, including odd, surgically created hybrid animals using as much actual footage as possible, integration of plates shot with 3 different film stocks, 11 enormous wrap-around LED screens, 50s style painted backdrops, and some really crazy colored skies.
Don’t get too excited… Hulu members can watch the first episode from December 20 through January 31, but still need to head to Disney+ for the second and all subsequent which will air weekly.
Creative director and editor brings production and post expertise to the company’s U.S. commercial roster.
The director and his VFX Supervisor, Jay Cooper, explain how they completely reversed the standard production process for his sci-fi epic, employing spontaneous live-action shoots that looked cool, not controlled, with 3D environments, digital matte paintings, and many other elements on the 1,600 visual effects shots designed afterwards, not before.
Studio delivered 126 VFX shots to help realize Ridley Scott’s vision of Napoleon’s 1793 Siege of Toulon and his violent suppression of the Paris riots two years later.
Group includes 83 artists working across James Cameron’s Lightstorm Entertainment productions, including ‘Avatar’ films, who are seeking representation by IATSE, marking the first U.S. vendor-side VFX artist filing with the NLRB.
The award-winning VFX and animation company ups two VFX Supervisors, naming Michael Lasker Creative Director, CG Features and Nicola Lavender Director, CG Supervision.
From writer, director, producer and star John Krasinski, the live-action/3DCG hybrid film about a girl whose superpower lets her see everyone’s imaginary friend, and her magical adventure to reconnect forgotten ‘IFs’ with their kids, hit theaters in May 2024.
The upcoming live-action adaptation of Mojang’s best-selling video game has yet to secure a title but is set to hit theaters on April 4, 2025; production slated to begin in New Zealand by the end of December.
Designed for full-scale productions, the new ProVis tools let filmmakers visualize and animate entire scenes, including digital assets, in real-time, across multiple cameras.
‘Barbie’ nabs 18 nominations, including Best Production Design, while ‘Oppenheimer’ and ‘Poor Things’ each scored 13 nominations, including Best Picture and Best Visual Effects, and ‘Spider-Man: Across the Spider-Verse’ earned 3 nominations, including Best Animated Feature and Best Visual Effects; winners will be announced January 14 at a gala broadcast live on The CW.
The five-part adaptation of the legendary smash-hit manga from Weekly Shonen Jump takes place across three worlds and follows a dead teen detective tasked with investigating demonic and spiritual cases in the Human World; the series begins streaming December 14.
