Rapidly create new 3D characters from the same Ziva rig; free lion and cheetah assets.
Registration now open for conference in Los Angeles running July 28 - August 1.
Directed by Jon Favreau, Disney’s live-action remake of The Lion King opens in U.S. theaters on July 19.
From defying gravity to expressing emotion in a believable way, reality was key for animation supervisor Catherine Mullan and the team of artists at MPC.
Powerful real-time 3D animation engine featured in more than 50 broadcast partner presentations at NAB 2019.
Developer of industry leading animation software Cinema 4D acquires powerful and flexible GPU-accelerated renderer.
From real-time virtual production and mixed-reality broadcasts to delivering cinematic-quality visuals and faster than real-time 8K transcoding, NVIDIA GPUs are powering demos for more than 85 partners at the world’s biggest broadcast trade show.
Additional animation highlights include ‘Ralph Breaks the Internet’ and ‘Spider-Man: Into the Spider-Verse’ as well as production sessions featuring Commercials and AAA Game Design.
Now available with a fully optimized core solver, popular real-time mocap solution adds technology enhancements to help create believable 3D virtual character animation for live virtual experiences.
John Cho, Mustafa Shakir, Daniella Pineda and Alex Hassell join cast of the all-new live-action series based on the original Japanese anime series directed by Shinichiro Watanabe.
Starting at just $99 per year, new subscription pricing offers lower-cost of entry and end-to-end warranties; academic pricing starts at $50 per year.
New release of Autodesk’s integrated visual effects, color grading, look development and finishing system for artists introduces machine learning to isolate objects in image sequences.
Flexible use of expanded array of encoders will enable faster, more interactive remote workstation experiences for users working with high-resolution content.
Inaugural development slate includes the fantasy/sci-fi adventure ‘Nature’s End’ and ‘R.E.D.,’ a science fiction anthology series inspired by the pulp novels of the 1950s.
Visual effects veteran with film credits including ‘Iron Man 2,’ ‘Mission Impossible: Ghost Protocol,’ ‘Downsizing’ and ‘Pacific Rim’ currently serves on the Executive Committee for the Academy’s VFX Branch.
Team behind project management application ftrack Studio introduces new collaborative media review platform for content creators.
New release brings many new features, including real-time ray tracing, to developers in the fastest version of Unreal Engine 4 to date.
Framestore VFX supervisor Christian Kaestner oversees more than 130 awe-inspiring shots for the first film in the Marvel Cinematic Universe to feature a female superhero lead.
International conference on Animation, Effects, Games and Immersive Media running April 30 through May 3 sets additional speakers on VFX for television & global animation production.
Acclaimed creature FX studio co-produced and created puppets, prosthetics, animatronics and more for the Netflix feature.
Latest update introduces a transformative Materials System enabling artists to quickly import and use thousands of Physically Based Rendering texture sets to create complex, high-volume assets.
In the absence of talking animals, director Tim Burton’s ‘Dumbo’ works in plot points and references to the original film in very clever ways that fans of the original will recognize without feeling forced.
Adelaide, South Australia-based studio delivers hundreds of complex VFX shots for the latest addition to the Marvel Cinematic Universe.
First in a series of three installments of the highly anticipated Modo 13 series pushes further into design workflows, delivering native support for GPU-rendering with AMD Radeon ProRender.
Marking the company’s tenth collaboration with Marvel Studios, Munich-based VFX house Trixter delivers CG spaceships, downtown LA environments and a CG cat named Goose for ‘Captain Marvel.’
Rapidly create new 3D characters from the same Ziva rig; free lion and cheetah assets.
Registration now open for conference in Los Angeles running July 28 - August 1.
Directed by Jon Favreau, Disney’s live-action remake of The Lion King opens in U.S. theaters on July 19.
From defying gravity to expressing emotion in a believable way, reality was key for animation supervisor Catherine Mullan and the team of artists at MPC.
Powerful real-time 3D animation engine featured in more than 50 broadcast partner presentations at NAB 2019.
Developer of industry leading animation software Cinema 4D acquires powerful and flexible GPU-accelerated renderer.
From real-time virtual production and mixed-reality broadcasts to delivering cinematic-quality visuals and faster than real-time 8K transcoding, NVIDIA GPUs are powering demos for more than 85 partners at the world’s biggest broadcast trade show.
Additional animation highlights include ‘Ralph Breaks the Internet’ and ‘Spider-Man: Into the Spider-Verse’ as well as production sessions featuring Commercials and AAA Game Design.
Now available with a fully optimized core solver, popular real-time mocap solution adds technology enhancements to help create believable 3D virtual character animation for live virtual experiences.
John Cho, Mustafa Shakir, Daniella Pineda and Alex Hassell join cast of the all-new live-action series based on the original Japanese anime series directed by Shinichiro Watanabe.
Starting at just $99 per year, new subscription pricing offers lower-cost of entry and end-to-end warranties; academic pricing starts at $50 per year.
New release of Autodesk’s integrated visual effects, color grading, look development and finishing system for artists introduces machine learning to isolate objects in image sequences.
Flexible use of expanded array of encoders will enable faster, more interactive remote workstation experiences for users working with high-resolution content.
Inaugural development slate includes the fantasy/sci-fi adventure ‘Nature’s End’ and ‘R.E.D.,’ a science fiction anthology series inspired by the pulp novels of the 1950s.
Visual effects veteran with film credits including ‘Iron Man 2,’ ‘Mission Impossible: Ghost Protocol,’ ‘Downsizing’ and ‘Pacific Rim’ currently serves on the Executive Committee for the Academy’s VFX Branch.
Team behind project management application ftrack Studio introduces new collaborative media review platform for content creators.
New release brings many new features, including real-time ray tracing, to developers in the fastest version of Unreal Engine 4 to date.
Framestore VFX supervisor Christian Kaestner oversees more than 130 awe-inspiring shots for the first film in the Marvel Cinematic Universe to feature a female superhero lead.
International conference on Animation, Effects, Games and Immersive Media running April 30 through May 3 sets additional speakers on VFX for television & global animation production.
Acclaimed creature FX studio co-produced and created puppets, prosthetics, animatronics and more for the Netflix feature.
Latest update introduces a transformative Materials System enabling artists to quickly import and use thousands of Physically Based Rendering texture sets to create complex, high-volume assets.
In the absence of talking animals, director Tim Burton’s ‘Dumbo’ works in plot points and references to the original film in very clever ways that fans of the original will recognize without feeling forced.
Adelaide, South Australia-based studio delivers hundreds of complex VFX shots for the latest addition to the Marvel Cinematic Universe.
First in a series of three installments of the highly anticipated Modo 13 series pushes further into design workflows, delivering native support for GPU-rendering with AMD Radeon ProRender.
Marking the company’s tenth collaboration with Marvel Studios, Munich-based VFX house Trixter delivers CG spaceships, downtown LA environments and a CG cat named Goose for ‘Captain Marvel.’
