Marvel Studios’ smash hit hangs on to title for the fourth weekend in a row and passes the $1 billion mark in worldwide ticket sales.
Company behind Unreal Engine plans large presence at the show spotlighting developers, licensees and education.
Virtual Arcade lineup includes 21 world premiere VR, AR experiences and five projects selected for Storyscapes competition.
Acclaimed actor, producer and director will executive produce and write the untitled series for Disney’s new direct-to-consumer platform.
Young creatives in film, animation, games, VR, motion graphics and 3D visualization offered evaluation by top professionals and exposure to the industry.
Production company Anonymous Content and VFX studio MPC team for sci-fi short.
‘Black Panther,’ Oscar-winner ‘Blade Runner 2049’ and ‘Star Trek: Discovery’ will be spotlighted.
Company also brings aboard Alaina Zanotti in business development and promoted Stephanie Gilgar and Angela Lupo.
Primary vendor on the Marvel Studios hit created environments, digital doubles and most of the climactic battle.
Deadline to enter is April 3; annual event is set for Aug. 12-16 in Vancouver.
Marvel Studios’ most-recent entry is the third-fastest film to reach the half-billion mark at the domestic box office.
Glen Keane’s ‘Dear Basketball,’ Pixar’s ‘Coco’ win animation Oscars; ‘Blade Runner 2049’ wins VFX and cinematography awards.
The overall VFX supervisor riffs on witness cameras, bleak L.A. cityscapes and the super-secret digital recreation of Rachael in Denis Villeneuve’s mesmerizing ‘Blade Runner’ sequel.
Studio created complex sequence in which the beloved bear is trapped underwater.
Honor is the most-recent for the visual-effects house in a busy awards season.
All five Oscars best visual effects nominees used software made by the company, whose employees also were honored by the Television Academy and at the Sci-Tech Awards.
Production VFX Supervisor Geoff Baumann assembled and managed the movie’s heavy-hitter vendor lineup to complete more than 2,000 visual effects shots for Marvel’s most recent hit.
Weta’s four-time Oscar-winning senior VFX supervisor talks about the complexities of creating believable digital ape performances in the final film in Fox’s ‘Apes’ trilogy reboot, director Matt Reeves’ futuristic action adventure ‘War for the Planet of the Apes.’
V-Ray developers organize event dedicated to the future of rendering.
High-performance, mid-size display is built for creative and design applications including augmented and virtual reality.
Academy Award winner and visual effects supervisor of ‘Kong: Skull Island’ takes creative reins of ILM’s Canadian studio.
Group of 20 nominees draws on two decades of experience and technological advances, delivering shots that were previously unimaginable.
Studio’s Canadian outpost will form a hub for animation, feature films, commercials and VR-AR work.
Academy governors Richard Edlund and Bill Kroyer weigh in on how to acknowledge and reward the growing number of stellar CG character performances.
Release makes available classic and rare films by the ‘Father of Visual Music’ and the great-grandfather of motion graphics.
