An anime feature spinoff of the hit Netflix series ‘The Witcher’ is in development at Studio Mir.
Former Skydance SVP joins LA office; will build creative team that provides range of services including pitching and development support, creative supervision and production management.
VES Award nominee Matt Welford describes ‘supporting visual effects,’ including previs and techvis, on the inaugural episode of the ‘Aquaman’ star’s hit post-apocalyptic action-adventure series.
Studio produces all the visual effects on Blumhouse Productions new supernatural holiday horror film.
Mike Chambers returns for his sixth term as committee chair.
Cute CG short about hijinks on the high seas from six ESMA students snags a VES nomination for Outstanding Visual Effects in a Student Project.
‘Aquaman’ and ‘Malignant’ director to executive produce kid’s project that begins with the King of Atlantis’ first day on the job.
Lobster Films leads joint project to reconstruct and restore pioneering French auteur’s short films to their original beauty, to be shown in festivals and events worldwide.
Contenders in the animated feature, animated short film and visual effects categories share their initial reactions to their nominations for Oscar gold.
SCAD’s Munkhtsetseg “Muunuu” Nandigjav named Conference Chair; event set for August 7-11, 2022 at the Vancouver Convention Centre.
Winners of the Critics Choice Association’s 25th annual awards were announced last night at their Barker Hangar gala ceremony in Santa Monica, California.
Dean DeBlois’ ‘How to Train Your Dragon: The Hidden World,’ Jérémy Clapin’s ‘I Lost My Body,’ Sergio Pablos’ ‘Klaus,’ Chris Butler’s ‘Missing Link,’ and Josh Cooley’s ‘Toy Story 4’ receive nominations for Best Animated Feature.
‘Doctor Strange’ writer/director leaves sequel over creative differences; Marvel says production will start as planned in May with no delays.
If ‘Frozen 2’ is now the highest grossing animated feature film of all time, where does that leave Jon Favreau’s ‘reinterpretation’ of ‘The Lion King?’
A battle to end all battles… director Osman Kaya brings to life the true story of evil dictator Vlad The Impaler and the fearless cavalry unit chosen to assassinate him.
Technology leader’s APEXX T3 workstation one of first in industry to ship with new processor, with performance enhancements built to accelerate and optimize creative workflows.
Sci-fi adventure’s digital release special features include the making of the movie, deleted scenes and commentary by writer/director/producer Simon Cox.
Core engine rewrite boasts faster operations; new USD integration tools and customized shading groups among numerous other improvements
UK-based visual effects house tackles St. Peter’s Square, the Basilica and Michelangelo’s masterpiece, the Sistine Chapel ceiling.
‘A Shaun The Sheep Movie: Farmageddon,’ ‘Frozen 2,’ ‘Klaus’ and ‘Toy Story 4' get nods in Animated Film category; ‘1917,’ ‘Avengers: Endgame,’ ‘The Irishman,’ ‘The Lion King’ and ‘Star Wars: The Rise of Skywalker’ nominated for Special Visual Effects.
‘Abominable,’ ‘Frozen 2,’ ‘How to Train Your Dragon: The Hidden World,’ ‘Missing Link’ and ‘Toy Story 4’ to contend in animated movie category; ‘1917,’ ‘Ford v Ferrari’ and ‘The Irishman’ among top producer award nominees.
Winners in 25 categories will be announced January 29 at the 18th Annual gala awards ceremony being held at the Beverly Hilton Hotel.
‘1917’ and ‘Once Upon a Time in Hollywood,’ along with ‘Ford v Ferrari,’ ‘The Irishman’ and ‘Joker,’ are nominated for achievement in feature films; winners will be announced at January 25 awards gala.
Iconic concept artist and designer known for work on films like ‘Blade Runner’ and ‘Tron’ passes away at age 86 of complications from lymphoma.
Leading visual effects studio completes 2,168 shots for Disney and Angelina Jolie’s fantasy adventure follow-up to their 2013 hit, ‘Maleficent.’
