Mysterious ‘Star Wars’ Series in Development
From ‘Lost’ showrunner Carlton Cuse and son Nick Cuse, the project will take place in a galaxy far, far away…and that’s all we know; ‘LEGO Star Wars’ sequel series also in the works.
From ‘Lost’ showrunner Carlton Cuse and son Nick Cuse, the project will take place in a galaxy far, far away…and that’s all we know; ‘LEGO Star Wars’ sequel series also in the works.
For 98th Oscars, members must now watch all nominated films in a category in order to vote in final award round; each branch will judge films based on the ‘degree to which a human was at the heart of the creative authorship.’
When even our heroes aren’t sure the world is safe, you know things have really gone sideways… a ravenous Galacticus plans to devour the entire planet in the long-awaited reboot of the studio’s seminal “First Family” franchise, coming to theaters July 25.
The event will feature over 300 lots ranging from original movie posters to screen-used props, high-end replicas, toys, comics, and artwork; concludes with a live session on May 4.
Giannini will serve as Director of Business Development and Strategy after a stint at Omnicom; Kilroe becomes studio’s first chief executive; company currently in production with Merman, Sky and Paramount+.
Over 750 new fonts, including typefaces Helvetica, Avenir, and Gotham, are now available to Creative Cloud subscribers, with total access to more than 2,800 Monotype fonts across Adobe applications.
Patrick Coleman joins as executive creative director, bringing team of long-time collaborators; Blake Nickle joins as Director of Production, Chicago, with Jason Esser coming on board as Thinkingbox creative director.
The leading creative company delivered 750 visual effects shots across 18 sequences, including cement sentry towers, surrounding forest, stars Miles Teller and Anya Taylor-Joy in action, and the expansive, mist-filled, and mysterious ravine itself.
VFX supervisor Ledda and animation supervisor Blacker, both previously at MPC, join company’s London creative leadership team to assist in preparation of new projects.
The VFX vet will focus on client acquisitions; his film and television portfolio includes visual effects for ‘Independence Day,’ ‘Titanic,’ ‘What Dreams May Come,’ and the mini-series ‘The Pacific.’
With its Season 2 debut just around the corner, the Emmy Award-winning series, based on Naughty Dog’s PlayStation video game franchise, gets picked up for a third season.
The film, which stars Tom Hardy as a detective fighting his way through the criminal underworld, streams April 25; VFX studios include the sadly shuttered Axis Studios, Dupe VFX, One of Us, ReDefine and Troll VFX.
Tom Cruise’s Ethan Hunt and his Impossible Mission team are back one last time for more running, jumping, knife fighting and hanging from bi-planes in the new action-adventure spy thriller from Skydance and Christopher McQuarrie, in theaters May 23.
New multidisciplinary production studio boasts a global collective of directors and artists using a story-first approach to deliver content across animation, live-action, VFX and immersive media for advertising, TV, and film.
New feature includes a library of classic lighting scenarios with over a dozen presets that can be customized or replaced entirely via in-built generative AI prompt; now available via the Previs Pro app.
Oscar-winning ‘Dune: Part Two’ VFX Supervisor Paul Lambert turned to Foundry’s CopyCat machine learning toolset within Nuke to complete 40% of the 1,000 Fremen eye shots with no additional touch-ups, saving thousands of hours of roto work.
Jared Leto and Jeff Bridges star in the latest addition to the ‘Tron’ sci-fi franchise, featuring a sophisticated AI program that enters the real world on a dangerous mission, with a fantastic color scheme, deadly light cycles and a harrowing new Master Control in tow; in theaters October 10.
Now available to subscribers, the update includes hundreds of new features and capabilities across its tools, including ZBrush for desktop and iPad, Red Giant, Maxon Studio, Cinema 4D, Redshift, and Cineware.
Plug-in integrates AI and features Flow-connected workflows; updates to Maya and 3ds Max include modeling improvements, liquids in Bifrost, OpenUSD improvements, and OpenPBR integration.
New Generative Extend editing tool instantly generates and expands the length of video and audio clips; Media Intelligence quickly locates specific clip content via keyword search; all updates and releases now available.
The leading VFX studio tackles imprisoned symbiote creator Knull, his home world Klyntar, and scores of monstrous creatures known as Xenophages on the final film of the Marvel and Sony ‘Venom’ trilogy starring Tom Hardy.
‘Zootopia 2,’ ‘The Fantastic Four’ among titles teased with first looks and announcements from Disney Live Action, Marvel Studios, Pixar Animation Studios, Walt Disney Animation Studios, and 20th Century Studios.
It's a story we've seen many times before... but can't wait to see again! And in the hands of DC’s purported savior, James Gunn... dare we say, it looks fresh, and funny, and... super! In theaters July 11.
Now available, the update comes with improvements to motion realism, a new virtual cinematography tool, mobile optimization, and flexible subscription plan.
From ‘Lost’ showrunner Carlton Cuse and son Nick Cuse, the project will take place in a galaxy far, far away…and that’s all we know; ‘LEGO Star Wars’ sequel series also in the works.
For 98th Oscars, members must now watch all nominated films in a category in order to vote in final award round; each branch will judge films based on the ‘degree to which a human was at the heart of the creative authorship.’
Watch as ILM stars like Hal Hickel, Doug Chiang, Rob Coleman, Dennis Muren, John Knoll, and the great George Lucas discuss the legendary VFX on some of Lucasfilm’s most memorable movies; all three episodes now streaming.
When even our heroes aren’t sure the world is safe, you know things have really gone sideways… a ravenous Galacticus plans to devour the entire planet in the long-awaited reboot of the studio’s seminal “First Family” franchise, coming to theaters July 25.
The event will feature over 300 lots ranging from original movie posters to screen-used props, high-end replicas, toys, comics, and artwork; concludes with a live session on May 4.
Giannini will serve as Director of Business Development and Strategy after a stint at Omnicom; Kilroe becomes studio’s first chief executive; company currently in production with Merman, Sky and Paramount+.
Over 750 new fonts, including typefaces Helvetica, Avenir, and Gotham, are now available to Creative Cloud subscribers, with total access to more than 2,800 Monotype fonts across Adobe applications.
Patrick Coleman joins as executive creative director, bringing team of long-time collaborators; Blake Nickle joins as Director of Production, Chicago, with Jason Esser coming on board as Thinkingbox creative director.
The leading creative company delivered 750 visual effects shots across 18 sequences, including cement sentry towers, surrounding forest, stars Miles Teller and Anya Taylor-Joy in action, and the expansive, mist-filled, and mysterious ravine itself.
VFX supervisor Ledda and animation supervisor Blacker, both previously at MPC, join company’s London creative leadership team to assist in preparation of new projects.
The VFX vet will focus on client acquisitions; his film and television portfolio includes visual effects for ‘Independence Day,’ ‘Titanic,’ ‘What Dreams May Come,’ and the mini-series ‘The Pacific.’
The film, which stars Tom Hardy as a detective fighting his way through the criminal underworld, streams April 25; VFX studios include the sadly shuttered Axis Studios, Dupe VFX, One of Us, ReDefine and Troll VFX.
Tom Cruise’s Ethan Hunt and his Impossible Mission team are back one last time for more running, jumping, knife fighting and hanging from bi-planes in the new action-adventure spy thriller from Skydance and Christopher McQuarrie, in theaters May 23.
New multidisciplinary production studio boasts a global collective of directors and artists using a story-first approach to deliver content across animation, live-action, VFX and immersive media for advertising, TV, and film.
New feature includes a library of classic lighting scenarios with over a dozen presets that can be customized or replaced entirely via in-built generative AI prompt; now available via the Previs Pro app.
Oscar-winning ‘Dune: Part Two’ VFX Supervisor Paul Lambert turned to Foundry’s CopyCat machine learning toolset within Nuke to complete 40% of the 1,000 Fremen eye shots with no additional touch-ups, saving thousands of hours of roto work.
Jared Leto and Jeff Bridges star in the latest addition to the ‘Tron’ sci-fi franchise, featuring a sophisticated AI program that enters the real world on a dangerous mission, with a fantastic color scheme, deadly light cycles and a harrowing new Master Control in tow; in theaters October 10.
Now available to subscribers, the update includes hundreds of new features and capabilities across its tools, including ZBrush for desktop and iPad, Red Giant, Maxon Studio, Cinema 4D, Redshift, and Cineware.
Plug-in integrates AI and features Flow-connected workflows; updates to Maya and 3ds Max include modeling improvements, liquids in Bifrost, OpenUSD improvements, and OpenPBR integration.
New Generative Extend editing tool instantly generates and expands the length of video and audio clips; Media Intelligence quickly locates specific clip content via keyword search; all updates and releases now available.
The leading VFX studio tackles imprisoned symbiote creator Knull, his home world Klyntar, and scores of monstrous creatures known as Xenophages on the final film of the Marvel and Sony ‘Venom’ trilogy starring Tom Hardy.
‘Zootopia 2,’ ‘The Fantastic Four’ among titles teased with first looks and announcements from Disney Live Action, Marvel Studios, Pixar Animation Studios, Walt Disney Animation Studios, and 20th Century Studios.
It's a story we've seen many times before... but can't wait to see again! And in the hands of DC’s purported savior, James Gunn... dare we say, it looks fresh, and funny, and... super! In theaters July 11.
Now available, the update comes with improvements to motion realism, a new virtual cinematography tool, mobile optimization, and flexible subscription plan.