Pixomondo Reteams with Roland Emmerich for WWII Action Drama ‘Midway’
Oscar-winning global VFX house previously worked with the blockbuster filmmaker on ‘Independence Day: Resurgence’ and ‘2012.’
Oscar-winning global VFX house previously worked with the blockbuster filmmaker on ‘Independence Day: Resurgence’ and ‘2012.’
Zhanna Bekmambetova’s first animated project among 12 winners chosen at the 22nd edition of the AWARDS & CONFERENCE.
From dragon flights to flying pyrotechnics, teams develop creative approaches to epic visuals using previs and technical planning.
Thirty-six 3D animation & design, visual effects, visualization and AR/VR nominees selected from 856 submissions from 61 countries.
Category winners in film, animation, games, VR, motion graphics and architecture visualization to be announced July 16.
Oscar-nominated VFX supervisor takes audiences on a quest through the universe for director Ava DuVernay’s adaptation of the sci-fi classic written by Madeleine L’Engle.
Overall VFX supervisor Peter Chiang talks previs, techvis, drones and Chinese sound stages on Steven DeKnight’s sequel to Guillermo del Toro’s 2013 sci-adventure romp.
L.A.-based visualization studio handles previs and postvis on Ava DuVernay and Disney’s new fantasy-adventure film.
VFXWorld takes a closer look at the Oscar-nominated effects that brought the biggest version of King Kong ever to the big screen.
Market leading architectural visualization rendering companies join forces; joint development already in process.
Thirty-three projects from all over the world nominated for animago AWARDS in eleven categories; international VFX experts set to meet at the animago CONFERENCE in Munich September7-8, 2017.
Thirty-three nominees selected from 962 submissions from 58 countries to compete in 11 categories encompassing 3D Animation & Still, Visual Effects, Visualization and Design.
The executive producer discusses previs, techvis and postvis on Ridley Scott’s sci-fi adventure hit.
Halon previsualization/postvisualization supervisor Clint Reagan oversees key sequences for director James Mangold’s latest installment in the X-Men universe.
The Third Floor’s previs supervisor Patrick Smith and postvis supervisor Heather Flynn discuss their work on director Zhang Yimou’s epic Chinese-U.S. action adventure co-production.
Deadline for submissions of work in 3D Animation, Visual Effects, and Visualization spanning 11 categories for consideration at the animago AWARD 2017 is May 31st.
The Third Floor’s previs and postvis supervisor Faraz Hameed describes the challenges of more than two years of work on Marvel’s hit supernatural superhero adventure.
Chris Ebeling to serve as Creative Lead-in-Residence for the inaugural Master Degree of Animation and Visualisation; Dr. Andrew Johnston joins as Research and Course Director.
Jury Prize is awarded to Israel’s ‘Ma’agalim’ by Uri Lotan & Yoav Shtibelman; Best Visualization awarded to the U.K.’s ‘A Guide To Happy’ from Panoply Creative.
Previs studio’s creative and technical visualization helps realize epic scenes for Emmy-winning episode, ‘The Battle of the Bastards.’
Company to showcase powerful new features like Voronoi Fracturing, Interactive Knife Tools and Substance Engine connectivity at IBC 2016 in Amsterdam.
Total of 39 projects in 13 categories selected from 1,076 entries to compete for the 20th anniversary of Germany’s animago AWARD.
New feature integrates motion capture software functionality into third party animation and biomechanical analysis production workflows.