A plainclothes crew member can be spotted in the background of ‘Chapter 12: The Siege’ of ‘The Mandalorian,’ and fans claim his pants are now canon.
Controversial actress is rumored to be in the running for the role of Black Cat in the upcoming Marvel series, ‘Silver & Black.’
Studio’s Toronto branch head of 2D Eric Covello details their visual effects work on Netflix’s hit dysfunctional superhero family adventure series, which last week was renewed for Season 3.
Project puts a modern spin on H.G. Wells’ ‘The Island of Dr. Moreau’ and is the latest of the development deals announced by Gunpowder & Sky’s sci-fi label; time travel feature film ‘Time Agent’ and ‘Last Exit: Space,’ a new documentary exploring mankind’s push to colonize space, are also in the works.
Showtime teases sneak of Master Chief and Cortana as its live-action adaption of the fan-favorite video game series goes back under the lights after production shut down due to COVID-19.
The next edition of the Post New York Alliance’s free ‘Post Break’ webinar series will look at practical issues on how to produce and deliver VFX for film and TV; panelists include VFX producer Leslie Lerman and Powerhouse VFX executive producer Ryan Cunningham.
The veteran VFX editor and supervisor talks about his two latest projects, Ethan Hawke’s Civil War-era period Showtime series, and a fully animated feature inspired by ‘Love, Death & Robots.’
The streaming giant's hit dysfunctional superhero family adventure series, based on Dark Horse Comics’ Eisner award-winning comics and graphic novels of the same name, gets picked up for another season.
Emmy Award-winning production designer James Pearse Connelly uses previs to design virtual sets, which are integrated with real-time rendering, Unreal Engine, and VFX to create the extended physical worlds of many new, safely produced TV shows.
Voice actor Sam Witwer claps back after IGN falsely claimed he was a background actor in the premiere episode of ‘The Mandalorian’ Season 2.
VFX supervisor Ivor Middleton details the production of CG creatures, floating people, and a serpentine British island causeway in the Sky / HBO psychological thriller.
Series star Henry Cavill announces filming for the Netflix fantasy hit’s new season has wrapped just one week before England reinstates a new round of pandemic-related restrictions.
Leading visual effects studio behind films like ‘Avengers: Endgame’ and the upcoming ‘No Time to Die’ and ‘Wonder Woman 1984’ acquires the former Deluxe creative studio assets, in a move that brings some of the industry’s key production expertise and capacity under one roof.
Leading VFX and animation studio creeps us all out with a compilation of some of their most grotesque and horrifying VFX creations from top series and films like ‘Fear the Walking Dead,’ ‘Blindspot,’ ‘Mr. Mercedes,’ ‘The Kitchen,’ and ‘Power.’
Leading up to the October 30 Season 2 premiere on Disney+, the rumor mill ponies up a possible working title for Season 3.
Theo Demiris and his team created a variety of Italian environments, from marshland to an Army base, while in lockdown, for Academy Award-nominated Luca Guadagnino’s series about two American kids living at a U.S. military base in Italy.
Visual effects house’s Toronto and Bangalore studio’s tackle the Necromancer and its scream as they produce 476 shots on the hit HBO Max sci-fi thriller.
Long-time VFX supervisors join studio’s Los Angeles and Vancouver offices, respectively; company bolsters team to deliver upcoming projects including ‘Eternals;’ ‘The Suicide Squad;’ ‘The Batman;’ ‘Lisey’s Story;’ ‘Fengshen Trilogy;’ ‘The Jade Earring;’ and ‘The Nevers.’
While sharing about ‘taking care of business,’ our NYC kitty gets a bit sentimental in a cat litter commercial that also tout’s the company’s mission to help animal shelters across the country.
Company strengthens its creative offerings by naming new heads of 3D and 2D departments, respectively.
Don’t miss Grant Walker and Stephen Nixon from the hit horror series’ VFX team present their visual effects wizardry, streaming live via FMX on October 7.
The Motion Design Department’s trained students qualify for fully featured EDU licenses of Houdini FX for home use and a one-year Core or six-month FX license upon graduation.
Visual effects veteran Gillian Pearson named lead studio manager at new Vancouver state-of-the-art facility.
VFX supervisor Goran Backman details the studio’s creature and environment work on Jon Favreau, Lucasfilm and Disney+’s VES and Emmy Award-winning hit space-adventure series.
15-year veteran joins leadership team in new B.C. division, bringing expertise in management and collaboration to studio’s growing network of work-from-home teams of artists.
