Welcome to the rebellion… the second and final season, which bridges the gap between Season 1 and the events of ‘Rogue One,’ will be broken into 4 3-episode chapters, debuting April 22.
The leading VFX and animation studio delivered 150 shots across multiple episodes on the Lucasfilm series, working on destroyed cities, security droids, elephantine character Neel, and futuristic ‘gold’ currency.
The second and final season, which bridges the gap between Season 1 and the events of ‘Rogue One,’ will be broken into 4 3-episode chapters, debuting April 22.
Lucasfilm’s mystery-thriller set 100 years before ‘Star Wars: Episode I — The Phantom Menace’ will not return for a second season; numerous negative reviews calling the series too ‘woke’ may be to blame.
The Emmy Award-winning visual effects veteran will help oversee the company’s team of VFX supervisors while promoting ongoing studio growth.
In the mystery-thriller, which takes viewers into a galaxy of shadowy secrets and emerging dark-side powers in the final days of the High Republic era, someone is killing young Jedis… no one is safe, and your own eyes cannot be trusted; the series debuts June 4 with its first 2 episodes.
The mystery-thriller, which take viewers into a galaxy of shadowy secrets and emerging dark-side powers in the final days of the High Republic era, debuts June 4 with its first 2 episodes exclusively on Disney+.
While the ‘Star Wars’ sci-fi franchise boasts many upcoming offerings, including ‘The Acolyte,’ ‘Skeleton Crew,’ and ‘The Bad Batch Season 3,’ Disney’s release slate for 2024 has one notable omission…
The streamer shares key art and a featurette to tide fans over until the new 8-episode season’s March 1 release; Lucasfilm’s original live-action series follows the continuing journeys of Din Djarin through the Star Wars galaxy.
Lucasfilms’ hit sci-fi adventure series follows the Mandalorian’s continued journeys through the ‘Star Wars’ galaxy; new 8-episode season kicks off in March.
The streamer returns to the Star Wars galaxy with new series takes place before the events of ‘Rogue One: A Star Wars Story, when the rebellion against the Empire begins;’ originally slated for an August debut, the highly anticipated 3-episode launch has been pushed to September.
The 2-day inaugural event for VFX and animation professionals will feature panels, discussions and presentations of the latest technology; tickets are now on sale.
Former head of production promoted to oversee both Saturday Animation Studios and Meduzarts Animation; the adult animation arm of DDEG is currently in production of Zack Snyder’s ‘Army of the Dead: Lost Vegas.’
VFXWorld and AWN break down the 10 shows nominated for Outstanding Special Visual Effects and Outstanding Special Visual Effects in a Supporting Role, and the studios behind their spectacular visuals.
From in-camera effects to the latest virtual production techniques, Industrial Light and Magic’s newly appointed head rounds up more than 1,800 VFX shots for the Star Wars stand-alone anthology space western.
VFXWorld takes a closer look at the Oscar-nominated effects that brought the biggest version of King Kong ever to the big screen.
Industrial Light & Magic VFX supervisor Ben Snow details the range of destruction and fiery visual effects created for the Paramount feature starring Jennifer Lawrence and Javier Bardem.
VFX supervisor Samir Hoon discusses the challenges of integrating the work of multiple facilities for the groundbreaking Chinese-U.S. big-budget co-production.
Quebec visual effects studio teams with VFX Supervisor Louis Morin to craft 245 shots for a total of 25 minutes of screen time, including all the alien shots seen in the movie.
Quebec VFX studio has contributed work for upwards of 1,000 advertising campaigns and more than 80 features including ‘Sin City,’ ‘300,’ ‘Avatar,’ and ‘Star Wars: The Force Awakens.’
Universal’s video game adaptation directed by Duncan Jones features visual effects from Industrial Light & Magic, Hybride and Rodeo FX.
Annual voting event showcases visual effects for the Academy’s shortlisted films: ‘Ant-Man,’ ‘Avengers: Age of Ultron,’ ‘Ex Machina,’ ‘Jurassic World,’ ‘Mad Max: Fury Road,’ ‘The Martian,’ ‘The Revenant,’ ‘Star Wars: The Force Awakens,’ ‘Tomorrowland’ and ‘The Walk.’
Double Negative, Hybride, MPC and Psyop to present at the Fabric Engine User Group meeting on Tuesday August 11, from 10:00 am to 6:00 pm.
VFX studio handles 50 shots including crowd sims and Berlin Olympic Stadium virtual replica.
Hybride helps take audiences to the heart of the action in White House Down with the production of several of the film’s highly realistic VFX shots.
