New feature includes a library of classic lighting scenarios with over a dozen presets that can be customized or replaced entirely via in-built generative AI prompt; now available via the Previs Pro app.
Oscar-winning ‘Dune: Part Two’ VFX Supervisor Paul Lambert turned to Foundry’s CopyCat machine learning toolset within Nuke to complete 40% of the 1,000 Fremen eye shots with no additional touch-ups, saving thousands of hours of roto work.
Science education meets storytelling in a fast-paced new season of the animated science series that makes complex topics accessible to all; now streaming on the COSI YouTube channel.
Now in closed beta with a planned mid-2025 release, the AI-native system, Intangible Studio, employs a Canva-like user experience to bring simplicity to 3D for teams in film, games, agencies and events.
By integrating the Wonder Studio cloud-based 3D animation and VFX technology into its production pipeline, the creative studio took advantage of new AI and machine-learning-based tools to create 134 creature shots in 6 weeks for the CW’s ‘Superman & Lois.’
The newest group members bring with them ‘the artistic talent and the technical know-how that will help strengthen open source development in the motion picture industry.’
Merger with the leading AI VFX tool company used in Robert Zemeckis’ ‘Here’ to de-age stars Tom Hanks and Robin Wright, coupled with United Al Sager Group’s second investment in the DNEG Group, leaves Brahma with post-transaction value of US$1.43 billion.
From depicting dinosaurs and the Ice Age to a massive tidal wave and idyllic neighborhood, the leading VFX and animation company helped create and then seamlessly move between scenes, shot from a stationary camera, spanning millions of years, in Robert Zemeckis’ latest film.
Combined company expected to be ‘well-positioned to meet the evolving needs of creative, media, and advertising industries through combined investment in content creation, event coverage, and product and technology innovation.’
With a voter turnout even greater than the last cycle’s turnout, a supermajority of IATSE Local 839 members voted to ratify the 2024-2027 Animation Guild Master Agreement.
For Rob Hoffman, Lenovo’s Senior Worldwide Manager for Media & Entertainment Vertical, insatiable consumer appetite for new experiences across film, TV, games and interactive experiences, in greater quantity with increasing fidelity, means, the future of entertainment content development continues to look strong.
The guild’s executive board reacts to what it notes are ‘a small minority’ getting ‘an outsized voice’ regarding the tentative AMPTP agreement, saying it has voted unanimously to recommend ratification.
Several members of the negotiating committee have expressed discontent on social media over the guild’s new AMPTP tentative agreement, citing a lack of protections for artists against generative AI and staffing minimums.
Members have expressed discontent over the agreement negotiated by the guild (TAG 839), citing a lack of protections for artists against generative AI and staffing minimums.
The gen AI-powered video platform allows fans of film and TV to create highly personalized and interactive movies based on a single selfie with their gen AI software.
Releasing today on Digital and January 21 on Blu-ray and DVD, the film reunites the ‘Forrest Gump’ director, writer, and stars Tom Hanks and Robin Wright, who through AI-enabled VFX tools from Metaphysic, travel through several generations of family love, laughter and loss.
After 3 months of bargaining, the guild (TAG 839) has negotiated a new deal centered on fair wages, job security, and guardrails around Generative AI use.
The AI-powered visual effects studio built neural network models to portray actors Tom Hanks, Robin Wright, Paul Bettany and Kelly Riley through time at different ages.
The Animation Guild, TAG 839, continued ramping up negotiations with a third ‘March on the Boss’ to remind animation industry execs that members will stand together to achieve fair wages, job security, and guardrails around Generative AI use.
The Animation Guild, TAG 839, ramped up negotiations with a second ‘March on the Boss’ to remind animation industry execs that members will stand together to achieve fair wages, job security, and guardrails around Generative AI use.
Powered by Video to 3D Scene technology, the Wonder Animation tool turns any video sequence into a 3D-animated scene via AI reconstruction; the beta is available now to Wonder Studio users.
A newly-created Office of Technological Enablement will be headed by previous Walt Disney Studios CTO Jamie Voris, and will explore opportunities and risks associated with AI, mixed reality, and other current and emerging tech.
The two groups will reconvene the week of November 18 for a series of negotiation sessions; TAG also voted to extend the current contract through December 2.
From post-production VFX to rendering and retouching, key content creation applications are employing AI and machine learning features, coupled with the latest AMD GPUs, to greatly increase artist productivity by speeding up routine tasks without the need to upload commercially sensitive data to the cloud.
The Animation Guild, TAG 839, ramped up negotiations with a ‘March on the Boss’ to remind execs at the streamer that members will stand together to achieve fair wages, job security, and guardrails around Generative AI use.
