Veteran artist previously earned VES Award and Primetime Emmy nominations for work on Netflix series ‘Lost in Space.’
Creative studio’s advanced motion-capture technology and new pipeline for integrating live-action with CG dolls help director visualize true story of photographer Mark Hogancamp’s recovery from a vicious hate crime.
Marvel superhero films awarded for both Best Animated Feature and Best Visual Effects; Netflix’s ‘BoJack Horseman’ wins for Best Animated Series.
In the second part of AWN’s two-part interview, the director of Paramount’s new ‘Transformers’ sci-fi action adventure discusses the magic behind a compelling and emotional digital character performance.
In the first part of AWN’s two-part interview, the director of Paramount’s new ‘Transformers’ sci-fi action adventure shares how love, empathy and connecting with others lies at the heart of his new film.
Sony Pictures releases first look at latest MIB franchise offering, a prequel set in the early years of the organization, that also stars Emma Thompson and Liam Neeson.
AWN ‘s ‘Miscweant’ waxes nostalgic as he breaks down Disney’s return to the world of their 1964 classic, ‘Mary Poppins.’
Watch famed actor and first-time director Andy Serkis, Christian Bale and Benedict Cumberbatch don performance capture gear to recreate Rudyard Kipling’s famous tale of a young boy caught between the world of man and jungle.
MPC VFX supervisor Richard Clegg and his team create fully CG environments and complex digital characters such as Mother Ginger, the Mouse King, and an army of seven-foot tin soldiers for Disney’s new feature film adaptation of the classic holiday tale.
Disney’s ‘Wreck-it Ralph’ sequel holds off Illumination’s Christmas tale to take top spot for third straight week.
A magical trident holds the key for half human, half Atlantean Arthur Curry to unite the worlds of above and below in Warner Bros’ epic undersea action-adventure.
First glimpse of live-action remake promises a faithful and visually enticing reimagination of beloved animated classic.
20th Century Fox will release James Cameron and Robert Rodriguez’s highly-anticipated, action-packed sci-fi thriller this coming February 14.
VFX supervisor Glenn Melenhorst guides studio’s Melbourne team in crafting gentle bear’s performance in Disney’s live-action fantasy adventure.
VFX supervisor Alexandre Lafortune and his team create griffins, automatons and a mystical time piece at the very heart of Eli Roth’s magical adventure.
VFX production veteran will handle operations at company’s London studio.
Artists at the former Atomic Fiction VFX house lend their talents to an epic crash landing and mid-air battle in Shane Black’s ‘Predator’ sci-fi adventure reboot.
Studio scales up 10x over onsite render capacity by leveraging AWS Cloud and Thinkbox’s Deadline.
SPI visual effects supervisor Sue Rowe and her team use simulation tools and a lot of bubbles to tackle a dynamic, action-packed third act in Warner Bros.’ underwater thriller.
Jason Statham takes on an enormous and hungry prehistoric shark in new aquatic chomp-fest hitting theatres this Friday.
Company’s global VFX brand continues its expansion plans with acquisition of award-winning VFX studio.
New and returning cast announced for the J.J. Abram’s helmed final Skywalker Saga installment.
Warner Bros. first look at sequel to Gareth Edwards’ 2014 hit features epic kaiju rumble between the quartet of ancient foes.
Johnny Depp, in character, joins Eddie Redmayne and Jude Law to tease ‘Harry Potter’ fans with Hall H presentation.
Presentation on Warner Bros. upcoming action-adventure, featuring Jason Momoa as the aquatic DC Comics superhero, rocks the Hall H audience.
