As of yesterday, all 650 staff across seven studios location are safely working from home.
With recent success of ‘The Invisible Man,’ Universal and Blumhouse Productions announce movie featuring the famed bloodsucker is in development.
Veteran hire to partner with creative studio and parent company, Cutter Studios, on still undisclosed production venture.
VFX supervisor Josh Simmonds and his team create the pivotal Austrian Alps avalanche sequence for Searchlight Pictures’ dark comedy.
Led by VFX supervisor Derek Spears, the studio filled the sea and sky around Midway Atoll with the devastating tools and action of war in Roland Emmerich’s harrowing tale of the decisive 1942 battle between the U.S. and Japan in the Pacific Theatre of WWII.
Matt Reeves shares set photos of the new Batmobile, an ultra-masculine souped-up muscle car.
Disgruntled online fans demand Brie Larson step down as Captain Marvel, citing bad personality and a need for a queer woman of color.
Third-generation special effects supervisor Jeremy Hays talks about producing realistic snow, rivers and cracking ice on the new film adaptation of Jack London’s famous novel.
130 artists now working at the company’s ninth location, bringing their employee total to over 1,500 worldwide.
Heading into this coming Oscar Sunday on February 9th, catchup on AWN’s coverage of the films and creative teams nominated for this year’s Best Visual Effects.
Production VFX supervisor Roger Guyett talks creating Princess Leia, the benefits of practical shooting, and bringing the saga to a close.
Production VFX supervisor Guillaume Rocheron discusses the special challenges involved in creating the illusion of grim reality in Sam Mendes’ Oscar-nominated epic World War I drama.
Tech giant’s Media & Entertainment software powers the studios behind Academy Award, BAFTA, Annie, VES and Golden Globe-nominated films.
Studio’s digital skills are put to the test as they stitch the Oscar-nominated film’s lengthy, uninterrupted takes together into one long seemingly real-time sequence.
Emmy-nominated showrunner of WBA/Amblin TV’s upcoming ‘Animaniacs’ series for Hulu signs exclusive, multi-year agreement for both animated and live-action projects.
Nominated for a Best Visual Effects Oscar, Jon Favreau’s VES Award-winning hit was a masterpiece of photorealistic animation and state-of-the-art virtual production.
VFX supervisor Pablo Helman discusses the sophisticated digital de-aging process, sans markers, used to depict Robert De Niro, Joe Pesci and Al Pacino over a four-decade span.
The gang is mostly back together as Dr. Venkman confirms his role in ‘Ghostbusters: Afterlife’ coming to theaters July 10, 2020.
Former Skydance SVP joins LA office; will build creative team that provides range of services including pitching and development support, creative supervision and production management.
Studio produces all the visual effects on Blumhouse Productions new supernatural holiday horror film.
Winners of the Critics Choice Association’s 25th annual awards were announced last night at their Barker Hangar gala ceremony in Santa Monica, California.
‘Doctor Strange’ writer/director leaves sequel over creative differences; Marvel says production will start as planned in May with no delays.
UK-based visual effects house tackles St. Peter’s Square, the Basilica and Michelangelo’s masterpiece, the Sistine Chapel ceiling.
Jennifer Lee and Chris Buck’s hit sequel passes $1.32 billion at the worldwide box office; Disney/Pixar now holds top three spots on list of most successful animated feature films in history.
Leading visual effects studio completes 2,168 shots for Disney and Angelina Jolie’s fantasy adventure follow-up to their 2013 hit, ‘Maleficent.’
