Get a peek at the winners onstage and backstage at this year’s grand Visual Effects Society bash.
As the sole visual effects vendor on the final instalment of the prequel trilogy based on the 1968 science fiction classic ‘Planet of the Apes,’ Weta Digital is in the midst of a creative and technological renaissance.
Studio R&D director Paul Carmen DiLorenzo walks us through the studio’s groundbreaking and innovative production system being recognized at this Saturday’s MPAA Scientific and Technical Awards.
Aardman animation directors Will Becher and Merlin Crossingham to present ‘The Making of Early Man’ at Gallery Nucleus in Los Angeles on February 10th.
First solo feature from four-time Oscar-winning director Nick Park pits caveman against caveman in stone-age football comedy adventure arriving in U.S. theatres on February 16th.
As the venerable British studio releases its seventh feature film, co-founder Dave Sproxton begs the question of why his country lags behind in animated feature film production.
Four-time Oscar-winner’s first solo-directed feature pits caveman against caveman in a stone-age football comedy adventure.
GDC, running March 19-23, 2018, is the world's largest professional game industry event, bringing together game designers, programmers, artists, producers, and business professionals for 5 days of unparalleled education, inspiration and networking.
This year the festival celebrates its 25th anniversary edition with a six-day celebration and associated events in the heart of Germany, running April 24-29, 2018.
Suzhou’s Up Studios founder is masterminding an IP empire, with his latest series debut racking up over 300 million views on Tencent Video.
VFX supervisor Richard Clegg raises the bar on photorealistic digital doubles in Denis Villeneuve's hit follow-up to the 1982 sci-fi classic directed by Ridley Scott.
The supervising technical director discusses production on Disney and Pixar’s long-awaited hit animated sequel, Finding Dory, including the design and animation of the film’s eight-legged heroic cephalopod.
The co-directors discuss design and production challenges on DreamWorks Animation’s fuzzy animated musical comedy, Trolls.
The studio’s human resources manager discusses recruiting challenges and goals as well as recommendations for young professionals looking for a job.
Models supervisor Florian Fernandez talks about his team’s use of proprietary Manuka ray tracer to create photorealistic apes and more for Matt Reeves’ futuristic action-adventure hit.
The 18th VIEW Conference in Turin, Italy gets ready to present its biggest program ever of top animation, VFX, VR and game industry experts.
Sequel to 2014 hit has the popular bear character on the trail of a mystery.
Attached talent -- including Blur Studio’s Jeff Fowler and Tim Miller -- move with the project.
Every Tuesday, Chris Robinson digests and dissects (relatively) new indie animation short films. Today: Violet
The Disney VP discusses a range of post-production challenges on the studio's feature animation musicals.
The veteran Marvel EVP of visual effects and post-production discusses the challenges of producing the studio’s incredibly successful set of superhero film franchises, including weaving together and managing huge teams of creative professionals across the globe.
The previs supervisor discusses a wide-range of visualization work on HBO’s award-winning TV series, as well as her studio’s efforts on Disney’s live-action hit, ‘Beauty and the Beast.’
The veteran animation director discusses his experience at the helm of Sony Pictures Animation’s latest animated feature.
The veteran VFX supervisor talks about his recent work on VR and animated stereoscopic 3-D dome projection projects as well as feature films in development.
The veteran VFX supervisor and producer discusses the differences in visual effects he supervised on the new sequel compared to his Oscar-winning VFX work 20 years ago on the original Roland Emmerich hit film, Independence Day.
