The FutureWorks Academy 6-month training program at the Chennai studio includes mentorship, specialized training, and a paid internship; successful graduates are offered a 3-year paid service agreement.
Animation supervisors Malcolm Lamont and Jeff Riley discuss climbing the career ladder that led them to stop-motion feature animation; the duo also chats about how director Henry Selick’s new animated movie came together.
It’s a good time of year to be thankful, so don’t forget to send thank-you notes to potential employers you interview with.
The animation editor discusses her journey to ‘lead’ editor, the ins and outs of her job and how social media plays a part in becoming a professional editor.
The architecture student/concept artist discusses her challenges in pursuing an artistic career in Morocco.
Change can be scary but taking a chance to better your career and embrace new opportunities. can be well worth the risk.
Netflix joins The Foundry to support new chapter helmed by Glassworks’ Chris Kiser; studio coalition aims to promote diversity within the VFX industry.
‘International On Line Recruitment by Animayo’ runs October 20-21 during which 18 companies will seek to fill over 200 positions.
Brain Zoo’s founder and CEO discuss how he’s stayed ahead of the game since starting the animation studio 27 years ago; he also reflects on the studio’s evolution during COVID and how he keeps landing big brand clients.
Artist Michelle Robinson discusses including artificial intelligence in her process, and the prospect of AI as the ultimate conceptual art form.
The veteran voice actor discusses how he got his start in animation, and how others with a knack for making voices can do the same; he provides tips for improving voice acting skills and shares how many auditions it takes to actually book a gig.
Representatives from industry-leading companies such as ILM, Framestore, Trixter, Rotomaker, Technicolor Creative Studios and Escape Studios will be on-hand to review portfolios and meet potential hires; event runs October 16-21 in Torino, Italy.
The beginning of the school year means it’s time for fresh starts, and a time for both students and teachers to learn new things.
Initiative pairs students and young professionals with Netflix Animation mentors to build equity and access for underrepresented early creatives; latest edition partners with LA-based Black N' Animated.
Recent Sheridan College grad Dorsa Bidhendi discusses how her portfolio landed her a job fresh out of school, the advantages of having an animation vs. fine arts degree, and what exactly she does as a storyboard revisionist.
Industry veteran Ryan Summers discusses how he got his start and his advice for compiling a portfolio to get a job and kickstart a career in motion design.
Hear about Fong’s decision to pursue a major career change that will catapult him from the world of global supply chains to the world of animation and his ‘shotgun’ approach to making it happen.
Savannah College of Art and Design launches the School of Creative Technology, Animation and Motion, Film and Acting, and Visual Communication: courses in new technologies and STEM disciplines prepare students to lead companies, brands, and studios.
Emmy-Nominated animator bolsters design studios’ creative team, bringing a wealth of experience and credits, including ‘Black Panther,’ ‘Thor: Ragnarok, Skyscraper,’ and ‘Avengers: Endgame.’
VFX veteran takes the reins from current creative director and two-time Oscar-winning VFX supervisor Paul Franklin, who will continue providing visual effects consulting to the company on features as well as develop and direct new projects.
6 neurodiverse students completed the 3-year animation career training program that included Autodesk Maya CGI software artist certification and credits on the short film ‘The Cursed Sketchbook’ and 2021 CLU short ‘What to Do With Your Tabloid News.’
Multi-disciplinary studio adds motion design and live-action specialists to creative team known for work with brands including CNN, Discovery, Food Network, ESPN, and Netflix.
The freelance illustrator and motion graphics designer describes his journey from the world of ballet to the world of animation, what coursework he chose to learn his craft, and how he determines what to charge for his services.
Pair will continue to report to Khaki Jones, senior VP of Current Series.
New course, which complements the existing 3D animation program, will feed the growing demand for studio-ready talent; applications are being accepted for 2023 and beyond.
