The 30-year VFX veteran’s experience and leadership tapped to cultivate creativity and maximize efficiency of Vancouver-based team.
Recent graduates Jacey Robinson, John da Fonte, and Julianna Mercado discuss their efforts to secure challenging and enjoyable industry work, how they keep up on new tools and technology, and how their college prepared them for the rigors of professional production.
Offered in partnership with Epic Games, the online program provides skills-building training based on the Unreal Fellowship curriculum, opening up new career opportunities in an industry ripe with demand for UE artists; the program runs August 15-September 9.
You’d be surprised at how difficult some artists make it for recruiters by neglecting to provide the simplest – and most important – information.
The Vancouver Film School has earmarked up to $162,000 in scholarships to support indigenous students looking to enroll in select creative arts programs in production; the application deadline is July 20.
There are only 3 days left for Canadian creators to submit original animated series content to Mercury Filmworks’ annual pitching competition returning in-person to the festival’s TAC business conference, running September 21 – 23; entries must be received by June 30.
The free online workshop offers advice on how to land a dream job in the animation, games, and VFX industries; presented via ZOOM on June 29, the program is open to the public.
The VFX and animation company expands upon its presence in the UK, Bulgaria, and across North America and India in response to global clients’ demands for creative services.
The studio’s free Ecole Cartoucherie Animation Solidaire partners with Frog Box and Titrafilm on a new course to create a more diversified pool of dubbing actors - addressing underrepresentation in the sector - to meet current and anticipated demands.
Focusing on production, resource management, training, and operations, she will share leadership responsibilities and title with president Tom Jacomb; she will also join the animation team on June 16 at Annecy 2022 as it presents ‘Pathways to DNEG’ and ‘DNEG Animation: A Proper Hello.’
Through courses produced in collaboration with Epic Games and ScreenSkills, participants get hands-on training in Unreal Engine and Virtual Production; classes range from ‘Unreal Fridays’ designed for the UK commercials sector to ‘London Connectors,’ a 5-week program in immersive storytelling.
Global search initiative seeks original, comedy-driven content, with an eye towards eventual series development; inaugural program’s first show greenlit from a short, ‘Rock, Paper, Scissors’ debuts at Annecy 2022, on Thursday, June 16.
Company to represent the internationally recognized filmmaker in the US and Canada; recent commercial directorial credits include the ‘zero carbon-powered’ ad for Hitachi and McDonald’s ‘Simply Timeless’ retro spot.
The Lobo partner and executive producer discusses his journey from Brazil to the USA and how he prioritized risky career movies to become the producer he is today; he shares skills to attract new opportunities, and advice on how to break into animation producing and rise in the ranks.
The festival and Mercury Filmworks announce the annual competition’s in-person return as part of TAC, offering Canadian creators a unique opportunity to refine their craft and reach an audience of peers, studio executives, and potential buyers; entry deadline is June 30.
Studio names Jeff Hipolito head of IT, VFX, while Jimmy Smith joins as a VFX compositor.
The stop-motion animator discusses the change in mindset that allowed him to leave his job after 15 years to pursue his dreams of becoming a professional filmmaker.
The 2-day inaugural event for VFX and animation professionals will feature panels, discussions and presentations of the latest technology; tickets are now on sale.
Studio’s doors opened May 13 with 150+ new hires; studio’s latest Canadian expansion comes amidst tremendous growth in worldwide demand for VFX and animation services.
Newly named executive VP will oversee studios’ worldwide commercial activities and identify areas of strategic growth.
The 3D animator, artist, and director discusses how to brand yourself to get noticed, how he broke away from the mainstream industry to do his own thing, and the post that made his work go viral.
Group’s commissioned shorts premiered at the recent TNBFC’s event showcasing Black creatives; program’s second round confirmed, with its call for submissions running April 20-July 5, 2022.
The stop-motion animator turned puppet, set, and prop fabricator shares how she switched gears from animator to puppet maker, where she learned her craft, and how much a felted puppet can cost.
Babita Jassal has been promoted to VP of People and Culture, and Hetal Shah joins as senior talent acquisition specialist; staff additions come as the company seeks new creative talent to work across a range of 2D and 3D projects.
Program to broaden opportunities for underrepresented talent and bring new voices and stories to the animation space is partnering with Veterans in Media and Entertainment and IllumiNative to identify candidates from the veteran and Native American / Alaskan Native communities.
