Bringing Hand-Drawn Comics to Life with Animation Technology
Industry veterans Seth Zeichner and Pat Mariarity discuss using Adobe Character Animator and After Effects to create their animated short, ‘The Realm Beyond Reason.’
Industry veterans Seth Zeichner and Pat Mariarity discuss using Adobe Character Animator and After Effects to create their animated short, ‘The Realm Beyond Reason.’
Shotgun Software showcasing its Jira, After Effects, Unreal Engine and Unity integrations at the 2019 Game Developers Conference.
The Chicago-based design house rose to the challenge of creating both an animated, custom typeface and a bold main title sequence logo for the return of Peter Quill, Rocket, Baby Groot, Gamora and Drax the Destroyer in 'Guardians of the Galaxy Vol. 2.'
Executive producer Matt Thompson and art director Chad Hurd share artwork and behind the scenes production insights into the highly-stylized Season 8 visual redesign.
Boutique visual effects and animation studio teams with production company Mercy Brothers and ad agency FCB West to bring a new two-spot Ghirardelli campaign to life.
Producer Neil Holman and art director Chad Hurd detail the limited but highly stylized animation techniques they wield to devastatingly hilarious effect on their hit FX animated series.
Makers of Academy Award-winning software unveil ultimate kit of mapping and distortion tools within Adobe After Effects, The Foundry's NUKE, Blackmagic Design Fusion Studio, and Natron.
Canadian animator Howie Shia dives headfirst into the awkward reality of how we handle our aggressive and often dangerous emotions.
Dustin Grella’s Animation Hotline turns anonymous voice mail messages into compelling micro-animated shorts – each produced in a single day.
Updates include Adobe Character Animator CC, an astonishing new companion application to Adobe After Effects CC to bring two-dimensional characters to life.
Custom typography featured in now-famous title sequence animated using Adobe After Effects, Autodesk Maya, The Foundry's Nuke, and Tweak RV.
Ukrainian band Brunettes Shoot Blondes release a new animated music video performed solely on Apple devices.
RE:Vision Effects announces ReelSmart Motion Blur version 5, a new version of the software which allows users to add natural-looking motion blur to a sequence and which now features GPU support for Adobe After Effects, Apple, Final Cut Pro, and more.
New version to build on application’s reputation for unmatched performance, superb realism, and broad application support including upcoming plugin for Adobe After Effects.
Digital Anarchy releases Flicker Free 1.0, a plugin designed to help fix a wide range of footage affected with flicker or strobing.
A wild child, raised by wolves, is forced to reconnect with humanity and conform to a society he can barely comprehend.
The Solid State teams with The Smith Family on an animated web series to raise awareness of over 600,000 disadvantaged Australian children.
Bradley Munkowitz and Navarro Parker talk Joseph Kosinski, After Effects and excellence in UI design.
VFX producer Andrew Kramer talks 'Star Trek Into Darkness' title sequences and how Adobe After Effects and Element 3D were central to their production.
RE:Vision Effects announces DE:Flicker, a new plug-in for Adobe After Effects to smooth out flickers and artifacts when shooting high frame rate or timelapse video.