Founder & Creative Director Linas Jodwalis joins forces with Director Matt Egan and EP Tom Leonard.
Design package available as a 60-day free trial until January 12th, 2016 when it will be available on a subscription basis only.
David Sheldon-Hicks, Marti Romances and Peter Eszenyi share how they cued off authentic NASA mission control systems to bring realistic computer UI designs to Ridley Scott’s sci-fi hit.
KeyShot 6 takes 3D models from concept shot to high quality visual even easier than before.
Weta Digital wins Outstanding Visual Effects in a Feature Film for their work on ‘The Hobbit: The Battle of the Five Armies’ at 10th Anniversary Gala honoring artists and innovators.
ILP, Scandinavia's largest visual effects and digital animation studio, meets demanding production schedules with help from Avere FXT Edge filers and cloud bursting technology.
Pluralsight celebrates Side Effects Software’s recent release of Houdini 15 with free courses and tools for beginners and seasoned professionals alike.
Versatile artist, director and filmmaker known for his work at Psyop joins award-winning directors' group founded by executive producer Danny Rosenbloom and director Yann Mabille.
After 14 years at Click 3X, Jason Mayo takes new path with fast growing integrated production and content creation studio – Humble.
New prototypes allow VR producers to storyboard and edit content directly within the virtual environment, as well as capture that data and bring it back into authoring applications such as Autodesk Maya.
Eighth ACM SIGGRAPH Asia Conference and Exhibition brought together over 7,000 computer graphics professionals, technologists, researchers, enthusiasts and trade visitors hailing from 49 countries across the globe.
Cautious yet flexible expansion at one of China’s top VFX studios has caught the attention of both the Middle Kingdom and Hollywood’s biggest players.
With features that rival Apple’s 15-inch MacBookPro, the HP ZBook Studio mobile workstation is aimed squarely at the professional market.
Design and visual effects software business The Foundry welcomes former Shine CEO.
PipelineFX's flexible render farm manager helps the Academy Award-winning Moonbot Studio's latest short overcome local rendering restrictions by taking to the cloud.
Joining Zoic Studios EPs Ian Unterreiner and Matt Thunel, Blodgett brings more than two decades of experience to his new position.
One of Us and Milk VFX brave the elements in their work on Baltasar Kormakur’s action adventure.
Real-time motion capture plug-in for high definition Kinect Xbox One turns iClone 6 Pro into an instant motion capture studio solution.
Developer of Cinema 4D brings 3D know-how to International Consortium for Open Standards
FotoKem uses Blackmagic Design’s DaVinci Resolve for grading and online editing of the pilot of Starz Network’s hugely anticipated new ‘Ash vs Evil Dead’ TV series.
Spin VFX delivers more than 300 visual effects shots to recreate Leonardo DaVinci’s world in Renaissance Italy.
Latest version of Thinkbox Software’s high-volume data management solution for rendering or processing information introduces on-demand metered licensing.
Packed with gorgeous imagery, new trailer for the follow-up to Tim Burton’s 2010 movie, ‘Alice in Wonderland,’ shows off work from VFX vendors Double Negative and Sony Pictures Imageworks.
Junior Martínez and Pablo Barquín create a mesmerizing video for Sam Shepherd’s musical project Floating Points using a light rig that converts digital 3D data into analog movement to control the path of LED light.
Award-winning studio continues its plain-body series of vintage Le Mans winners with stunning Jaguar D-Type images created using VRay, 3ds Max and Photoshop.
