animago AWARD 2017 Now Accepting Submissions
Deadline for submissions of work in 3D Animation, Visual Effects, and Visualization spanning 11 categories for consideration at the animago AWARD 2017 is May 31st.
Deadline for submissions of work in 3D Animation, Visual Effects, and Visualization spanning 11 categories for consideration at the animago AWARD 2017 is May 31st.
New Houdini 16 coursework to cover everything from character creation to environments; free event to feature speakers from Pluralsight, SideFX, TriHelix and Feline Arts.
With voting for the 89th Academy Awards closing on Tuesday, take a final look at AWN’s coverage of the contenders for Feature Animation, Short Animation and Visual Effects.
As part of AWN's Professional Spotlight Series recorded during VIEW 2016, the Oscar-nominated VFX supervisor talks about a decade of filmmaking innovation and advancement at LAIKA.
VFX supervisor Richard Bluff describes Industrial Light & Magic’s dazzling New York and Hong Kong sequence work in Marvel’s supernatural adventure hit.
Walden Venture Capital and Autodesk invest in revolutionary new cloud rendering platform behind the visual effects for 2016 blockbusters ‘Deadpool’ and ‘Star Trek Beyond.’
Carl Bass to step down as CEO, remain on Board of Directors; Board undergoing CEO search, institutes Office of the CEO during transition.
New plugin brings the lightning-fast speed of GPU-accelerated render engine Redshift to SideFX’s powerful all-in-one 3D application combining modeling, animation, rigging and compositing.
One-night-only event featuring an exclusive first look at film footage to be held across 14 North American cities on February 28th.
As part of AWN's Professional Spotlight Series recorded during VIEW 2016, the Oscar-nominated VFX supervisor discusses the challenges of virtual production on the hit Disney live-action/CG hybrid feature film.
Digital Material Authoring package expands into a comprehensive texture, scans and MDL Processing tool for game development, animation/VFX and design visualization.
Los Angeles and Melbourne-based VFX shop expanding into original content with artist and animation director Hibon at the helm as Head Creative Director.
LAIKA’s ‘Kubo and the Two Strings,’ Disney’s ‘Inner Workings’ and ‘Zootopia,’ and Pixar’s ‘Finding Dory’ among 28 awards for distinguished achievement.
Academy gives nod to supporting visual effects with nomination of Industrial Light & Magic team led by VFX supervisor Craig Hammack for director Peter Berg’s depiction of the disastrous 2010 Gulf of Mexico oil rig explosion and spill.
Jan Kalvoda and Premek Ponahly blend CG-design, live-action, and stop-motion animation to create mesmerizing commercials.
New SVOD platform will feature traditional and social content in new and existing formats, including AR, VR, 360° video and gaming.
Survey of computer graphics and interactive techniques community aims to make the organization and conference more relevant to the needs of those working in emerging computer graphic technologies.
LAIKA head and ‘Kubo’ director and producer Travis Knight receives the studio’s first BAFTA Award; Disney’s The Jungle Book awarded for Special Visual Effects.
Digital media industry leader Rob DeMillo joins Mountain View, CA startup production platform aimed at revolutionizing the animation content market as Chief Technology Officer.
Black Ink 0.300 makes new custom brushes easier to modify and create, provides new programming language for complex shader designs.
Led by VFX supervisor Benjamin Walsh, Deluxe-owned VFX house creates a wide range of CG effects for Top Game’s Super Bowl spots, including massive armies and accompanying weapons and horses, and atmospheric elements including fireballs, fog and smoke.
PipelineFX’s industry-leading render management software and new pay-per-minute licensing policy gives the international animation powerhouse an edge in today’s competitive broadcast market.
Reinvention of the National Film Board of Canada’s award-winning documentary has been showcased at IDFA DocLab and the New Frontiers VR Bar at this year’s Sundance Film Festival.