In addition to the 800 Euro main award at the festival in Žilina, Slovakia, juries bestowed awards for the best music video, student film, video game pitches and video game jam.
This year’s edition of the animation, video game and transmedia event calls for projects in three categories: Portuguese-Spanish animation and video games, European transmedia and new media projects and international online animation series, with a submission deadline of July 28.
Update features include new alphas and patterns, improved filters, new fonts, Substance Source integration, ambient occlusion and a live edge wear filter, and is available for free to all Substance Painter 2 -- Indie holders.
London, Montreal, Vancouver and Bangalore facilities deliver more than 1,000 VFX shots for the first installment of Universal’s ‘Dark Universe’ monster movie franchise.
Animation historian Tom Sito elected to represent the Short Films and Feature Animation Branch; VFX veteran Richard Edlund re-elected to head the Visual Effects Branch.
Innovative features in latest instalment of the Modo 11 series include a client-server bridge to Unreal Engine 4 and more.
Four-time Oscar winner Joe Letteri, Oscar winner John Nelson, two-time Oscar winner Bill Westenhofer, and Oscar winner Martin Hill join the roster of more than 25 top industry professionals already confirmed for Italy’s computer graphics conference.
Student film ‘Song of a Toad’ named best in show; John Lewis ‘Buster the Boxer’ wins jury award; MOPA’s ‘Garden Party’ awarded best student project.
The global production company joins forces with the award-winning animation and VFX studio to expand its visual storytelling expertise to animation and design-driven projects and leverage 10-year-old studio Believe’s diverse artist roster to address the needs of the global advertising and branded content marketplace.
The new global identity unites U.K. brands Axis Animation, Flaunt Productions and axisVFX under one banner, accompanies company growth and is being celebrated with a limited-edition art book showing the behind-the-scenes work that goes into ‘delivering the unexpected.’
Previous 'Dawn of War' trailer creator Axis Animation and director Abed Abonamous return to the franchise to create beautiful in-game cinematics for Relic Entertainment, depicting the conflict among Space Marines, Eldar and Orks on the lost planet of Acheron.
Ninety-five new members are invited to the Short Films and Feature Animation branch; 63 new member are invited to the Visual Effects branch.
The Chicago-based design house rose to the challenge of creating both an animated, custom typeface and a bold main title sequence logo for the return of Peter Quill, Rocket, Baby Groot, Gamora and Drax the Destroyer in 'Guardians of the Galaxy Vol. 2.'
Digital content creation and delivery leader Deluxe Entertainment Group deploys its VFX workflow The Portal for STARZ’s original series adaptation of Neil Gaiman’s ‘American Gods.’
HALON Entertainment founder Daniel Gregoire set as chairman of the board.
Produced alongside creative studio Mighty Nice, ‘The Story of An Idea’ builds from hand-drawn 2D black-and white-animation to a full CG VFX-heavy grand finale.
Supervisor James Baker leads the studio’s previs, techvis and postvis efforts on their second ‘Guardians’ and 11th Marvel film collaboration.
The renderer update introduces CPU-GPU hybrid rendering and improves compositing output and compatibility with Autodesk 3ds Max 2018.
The software developer and R&D company work to boost the CG ecosystem with seamless and fast data transfer of layouts and geometry between 3D applications, as well as look to address wider industry problems, such as proper motion blur render of varying meshes in Maya and Katana.
Michael Bay’s ‘Transformers: The Last Knight’ tops the box office both at home and abroad; director Patty Jenkins’ ‘Wonder Woman’ becomes top-grossing woman-directed live-action film of all time.
Ten Virtual Reality experiences and 22 features, short films, commercials and game trailers are selected for the 2017 SIGGRAPH Computer Animation Festival.
The former executive producer of TV & streaming at mOcean brings extensive experience in marketing, brand strategy, design and TV and film production to his new role spearheading business development at Laundry.
Both the actor and the Academy Award-winning VFX supervisor for WETA Digital, respectively, will sit on the keynote panel and host an exclusive Q&A following an early screening of ‘War for the Planet of the Apes,’ their recent collaboration.
Director of immersive platforms storytelling for ‘The New York Times’ Graham Roberts will present a 40-minute talk about the organization’s VR expertise and integration of the new medium into the media outlet’s news reporting through NYT VR, as well as insight into the making of the 10-minute short film ‘The Antarctica Series: Under A Cracked Sky,’ executive produced by Roberts and one of four films in the Times’ Antarctica series.
The acquisition accelerates Adobe’s position in the cutting-edge 360-degree film and virtual reality media, allowing native integration of SkyBox plugin functionality in future releases of Premiere Pro and After Effects.
