Maura Regan Joins LIMA as Executive Vice President
Licensing veteran joins the International Licensing Industry Merchandisers’ Association following a 17-year career with Sesame Workshop.
Licensing veteran joins the International Licensing Industry Merchandisers’ Association following a 17-year career with Sesame Workshop.
Sky Cinema enlists production company Blinkink and visual effects specialists nineteentwenty to deliver their Christmas movie premieres in one seamless winter wonderland.
Not To Scale expands its live-action capabilities with new, bespoke studio and Executive Producer bringing more than 15 years’ experience working with brands including Adidas, Corona, Honda, Mastercard and Alexander McQueen.
More than 46 of 2016’s fall television shows used Blackmagic Design’s cameras, Fusion Studio and DaVinci Resolve Studio for production and post production work.
Fourth and latest release available April 2017 to include illustrations by artists such as Cliff Childs, Winona Wilson, Christine Choi and Adam Paquette.
Short film version of the Virtual Reality experience directed by Eric Darnell has screened at Cannes, Tribeca, Annecy, VIEW, and the SIGGRAPH 2016 Computer Animation Festival.
Boutique production studio based in Barcelona specializes in CG, live-action, and VFX-based projects for brands including Hyundai, Red Bull and Armani, as well as experiential installations for events such as the Coachella Music Festival.
Chris Ebeling to serve as Creative Lead-in-Residence for the inaugural Master Degree of Animation and Visualisation; Dr. Andrew Johnston joins as Research and Course Director.
In its fifth collaboration with Marvel Studios, Chicago-based design company animates a series of intricate mandalas for the 90-second main title sequence for director Scott Derrickson’s ‘Doctor Strange.’
New studio adds directors Gary Thomas and Matt Greenwood, design director Stefan Woronko, senior colorist Roslyn Di Sisto, and executive producer Kristen Van Fleet.
Award-winning director and VFX supervisor to make his feature film debut with ‘The Mischievians,’ based on the book by William Joyce.
Collis joins Vladimir Mastilovic and Chris Taylor O.B.E. in helping Cubic Motion expand in the games, film, TV, virtual reality and augmented reality markets.
Shanghai-based Cultural Investment Holdings to acquire 75 percent of the Oscar-winning VFX studio’s business in a deal valued at $187 million; Framestore founder & CEO William Sargent to retain minority stake.
Co-writer Jon Spaihts discusses the new action-adventure hit film that delves into the supernatural side of the Marvel Cinematic Universe.
The Mouse House posts its biggest year ever at the global box office with $5,851.4 million through Nov. 1, surpassing the studio’s previous calendar-year record of $5,843.8 million set in 2015.
Rosa to serve as Head of Production/Senior VFX Supervisor with Lanning serving as Executive Producer.
Creative team for the live-action adventure based on the classic book by Madeline L’Engle includes ‘Frozen’ director Jennifer Lee, who wrote the screenplay for the film, and Oscar-winning visual effects supervisor Rich McBride.
Adobe showcases innovation coming to Creative Cloud in experience design, photography, virtual reality, character animation and 3D compositing.
Straightface Studios employs Thinkbox Software’s Deadline coupled with on-demand licensing for The Foundry’s NUKE to manage the facility’s compute resources.
Vancouver-based VFX house bolsters artistic leadership with visual effects supervisor Thomas Schelesny, visual effects producer Tara Conley, and digital environment supervisor Damien Thaller.
DesignWeek Awards-nominated design director previously contributed beautifully crafted animation work for Royal Albert China.
DaVinci Resolve 12.5.3 update adds support for the new version of Final Cut Pro X, as well as improvements to Media Composer interoperability, ACES color science, and more.
VFX house Framestore uses a 24-camera Vicon system paired with Vicon’s data capture and processing software Blade to precisely capture data straight into Autodesk MotionBuilder.