Based in New York, visual effects veterans to oversee work on ‘Bull,’ ‘The Son,’ ‘Sneaky Pete,’ and other TV projects.
MPC returns to the world of Harry Potter, delivering 220 VFX shots including 3D environments of prohibition-era Manhattan, set extensions, magic effects, and the creation of three beasts: Demiguise, Occamy and Billiwig.
EU-funded tablet-based on-set editing application for collaborative virtual filmmaking on display at SIGGRAPH Asia 2016 has been used on several Filmakademie productions.
Brand New School and Carrot Creative reimagine the newly launched OnePlus 3T as a sci-fi inspired human body, complete with digital organs, blood, brain and eyes.
Under the lead of production VFX supervisor Christian Manz, Oscar-winning VFX house helps develop and animate a range of fantastical CG characters for J.K. Rowling’s new spinoff prequel to the Harry Potter franchise.
Makoto Shinkai’s anime feature debuts to $41 million in China, and passes Hayao Miyazaki’s ‘Howl’s Moving Castle’ to become the second-largest-grossing Japanese film of all time; Disney’s CG-animated ‘Moana’ rules North American box office for second weekend in a row.
Deluxe Entertainment-owned VFX house contributes to the film’s opening and closing sequences in addition to environmental and creature work, as well as reimagining the look of the ‘apparate’ and ‘disapparate’ effects from the Harry Potter films through which a wizard magically teleports into or out of a scene.
The Academy’s Visual Effects Branch Executive Committee to select the 10 films that will advance to nominations voting; nominations for the 89th Oscars will be announced on Tuesday, January 24, 2017.
2017 edition of New Frontier showcase to include 20 VR experiences and 11 installations across three Park City venues.
Award-winning artist and director is known for developing creative experiences that engage a mass audience for brands including Google, Coca-Cola, Facebook and MTV.
Nice Shoes debuts their immersive and meditative experience, ‘Mio Garden,’ at the 2016 ANA Masters of Marketing Conference.
Groundbreaking hybrid genre epic from executive producers Ron Howard and Brian Grazer brings together contemporary documentary footage and VFX-heavy drama to transport audiences to a not-so-distant Martian future.
New version of the qwireMusic cloud platform expands collaboration, licensing and cue sheet capabilities with redesigned user interface and support for Windows OS.
Deadline for entries to the 10th edition of the International Animation Festival in Žilina, Slovakia is February 26, 2017.
International candidates now eligible to apply for scholarships at Australia’s CG Spectrum College in animation, concept art, visual effects, programming, 3D modeling and compositing.
South Pacific adventure featuring the voice of Dwayne Johnson as the demigod Maui scores number-two Thanksgiving launch of all time among animated films.
Coveted honors shine spotlight on creative excellence in post-production.
‘Talking Tom’ creator Paul Nunn joins new joint venture aimed at producing kids content for global online media platforms.
Inspired by surrealist art and the works of M.C. Escher, Luma creates the opening sequence in London for Marvel Studios’ blockbuster movie, ‘Doctor Strange.’
Virtual-reality destruction experience from the Emmy Award-winning animation studio behind ‘Metalocalypse,’ ‘Superjail!,’ ‘Venture Bros.,’ ‘Son of Zorn’ and ‘Motorcity’ is coming soon to HTC Vive.
The Imaginarium Studios partners with the Royal Shakespeare Company to create a digital avatar projected in real-time utilizing Xsens motion capture technology.
Noted talent agency for storyboard artists combines with creative production company and industry leader in test spots and animatics to launch FamousFrames @ Napoleon.
‘The Fire King’ ad featuring Kevin the Goat is Artifact’s fifth collaboration with BBDO Atlanta.
The action-adventure film’s overall VFX supervisor discusses visual design, fractals and practical effects used on Marvel’s latest hit.
Contemporary reinterpretation of Early Dutch master Hieronymus Bosch’s iconic painting was commissioned by the MOTI Museum for its New Delights exhibition on display through December 31st.
