Paramount Pictures and Starburns Industries’ ‘Anomalisa,’ Disney and Pixar Animation Studio’s ‘The Good Dinosaur’ and ‘Inside Out,’ 20th Century Fox and Blue Sky Studios’ ‘The Peanuts Movie,’ and Aardman’s ‘Shaun the Sheep Movie’ are nominated for Best Animated Feature.
Awards show and international conference for 3D animation & still, visual effects and visualization moving to Munich for 20th anniversary edition.
Dedicated iOS app for web-based review and approval tool Frankie brings all the collaborative, cloud-based functionality of Frankie to the palm of your hand.
Photoreal short derived from an old Japanese folk tale employs physical sets built in the duo’s living room augmented with CG creatures and extensions crafted using Autodesk Maya and Mudbox and rendered in Chaos Group’s V-Ray.
Design-centric production company creates the new on-air identity for horror network Chiller.
Inaugural Visionary Vanguard Award to be accepted by ILM Senior Visual Effects Supervisor John Knoll at the 27th Annual Producers Guild Awards on Saturday, January 23.
Alumni and students behind some of the year’s best work in animation.
Newly appointed Executive Vice President & General Manager to work on long-term company goals and new initiatives with a primary focus on production, sales and marketing.
Microsoft Studios’ 343 Industries builds a new 50-foot by 50-foot motion capture stage outfitted with 50 Prime 41 cameras for character animation and camera tracking.
Ten shortlisted films to be announced later this month.
Forty-third International Conference and Exhibition on Computer Graphics and Interactive Techniques will be held July 24-28, 2016 in Anaheim, California.
New behind-the-scenes featurette provides a detailed look at Daisy Ridley's Rey, with commentary from Ridley and John Boyega.
Visual effects for the long-awaited sequel to Ang Lee’s Oscar-winning ‘Crouching Tiger, Hidden Dragon’ are led by production VFX supervisor is Mark Stetson, with VFX provided by Zoic, Pixomondo and Lola.
Universal and Legendary’s holiday horror-comedy ‘Krampus’ outperforms expectations in its North American debut, grossing $16 million from 2,902 theaters to come in at number two behind ‘The Hunger Games: Mockingjay -- Part 2.’
Led by veteran editor and Micah Scarpelli and VFX artist Joe Wenkoff, Uppercut is a full-service post-production company offering world-class editorial and visual effects services.
Emmy-Award winning post-production house and bicoastal music production company team up to provide seamless music and sound offerings to clients in the advertising, film, and television industries.
Led by VFX supervisor Jeff Campbell and supervising VFX producer George Macri, SpinVFX delivers nearly 150 shots to help bring to life the remarkable true story of the 33 survivors of the Chilean mine disaster.
Anything goes with Cartoon Network’s game-changing app.
Character rigging master Brad Clark returns once again to put the latest Autodesk software suite update to the test.
Summit draws endorsement and support from Oculus, Vuforia, Sony, Steam VR, and Unity Technologies.
Australian visual effects studio standardizes on Solid Angle’s Arnold as its primary production renderer with a dramatic increase in efficiency.
New look combines live-action & animation to celebrate everyday childhood moments.
High-performance rendering now integrated into architecture’s leading design platform; free download available now.
New videos from MAXON reveal how CINEMA 4D empowers the creative community.
Adobe renames Flash Professional CC to Adobe Animate CC, rewriting the tool from the ground up to add native support for HTML5 Canvas and WebGL as well as outputs to any format.
