‘What We Leave Behind’ Encourages AR Confessions at Slamdance
Project from ARwall and Clever Fox allows people to record anonymous tales of anxiety and hope in the digital age, all of which will be archived online.
Project from ARwall and Clever Fox allows people to record anonymous tales of anxiety and hope in the digital age, all of which will be archived online.
Creative teams from 10 Oscar hopefuls present their contributions at the Academy’s annual Visual Effects Bake-off held on Saturday, January 6 at the Samuel Goldwyn Theater in Beverly Hills, CA.
British Academy also picks five VFX nominees and nominates three homegrown candidates for the British Short Animation category.
Industry mainstays Rob Churchill and Danny DelPurgatorio join as firm grows into the second largest VFX and design studio in Second City.
U.K. company’s animation middleware added to the realism of the hyper-reality experience, now open at three locations worldwide.
MPC VFX supervisor Bob Winter oversees the creation of CG environments, digital doubles, and a deadly jaguar attack for director Jake Kasdan’s ‘Jumanji: Welcome to the Jungle.’
Tie puts 11 titles -- including ‘Dunkirk,’ ‘The Shape of Water’ and ‘Wonder Woman’ -- in contention for top feature award.
Free course Jan. 20 at Gnomon School of VFX will cover building and optimizing CG worlds for real-time performance.
Group also will present Distinguished Leadership Awards to 13 women for their accomplishments in technology and business at Jan. 16 ceremony.
Iloura delivers one of the studio’s most complex sequences ever, including CG environments and effects, CG rhinos and helicopter, and digital doubles.
Hand-in-hand with filmmakers, FotoKem’s creative and technical teams supported global production on a massive scale.
Disney’s most-recent ‘Star Wars’ entry edges out ‘Jumanji: Welcome to the Jungle’ in busy holiday weekend.
This winter offers a franchise reboot, massive destruction on a global scale, and the return of Paddington the bear, but the real story just might be the worlds of wonder conjured up for the Disney adaptation of ‘A Wrinkle in Time.’
Master storyteller Guillermo del Toro del Toro returns to Deluxe’s all-inclusive post facility in Toronto for end-to-end post-production services.
VFX supervisor Stuart Lashley oversees 200 shots for the third instalment of the God of Thunder franchise, including wormholes, fiery crashes and attacks, high-rise apartment views, and the vast wasteland of Skakaar.
From digital signage and sci-fi cityscapes to a completely remade Las Vegas locale, Rodeo FX delivers 75 visual effects shots for the sequel to Ridley Scott’s classic 1982 feature film.
Members of the Music Branch to vote for up to five achievements; the five achievements receiving the highest number of votes will become the nominations for final voting for the award.
Visual Effects Branch’s Executive Committee narrows down the list to 10 films that will be voted on for nominations for the 90th Academy Awards.
Led by production VFX supervisor Ben Morris, visual effects powerhouse Industrial Light & Magic confidently seeks to honor the innovative spirit of the series without losing its heart.