Barcelona-based animation studio Glassworks teams with Headless Productions to deliver two animated tales for J. A. Bayona’s new film.
The 2017 VFX Oscar-nominated films showcase the versatility and range of visual effects artists.
Disney’s ‘Moana’ wins award for Best Sound & Music Editing in an animated feature film; Nickelodeon holiday special ‘Albert’ wins Best Sound & Music Editing in the TV animation category.
Framestore teams with production company Sid Gentle Films and writers Neal Purvis and Robert Wade to direct and craft the twisting, turning title sequence for the adaptation of Len Deighton’s 1978 alternate history novel.
Pixar’s ‘Finding Dory’ wins top honors for outstanding achievement in sound mixing for an animated feature film at the 53rd CAS Awards.
ASEAN’s biggest annual digital content event celebrates fourth year with ‘Digital Wonderland’ theme.
Live action and VR/experiential/digital filmmaker most recently partnered with Within for narrative VR film ‘New Wave.’
Longtime media technology executive to focus on integrating and expanding production capacity across Method Studios, Iloura and Deluxe VR.
Deadline for submissions of work in 3D Animation, Visual Effects, and Visualization spanning 11 categories for consideration at the animago AWARD 2017 is May 31st.
New Houdini 16 coursework to cover everything from character creation to environments; free event to feature speakers from Pluralsight, SideFX, TriHelix and Feline Arts.
With voting for the 89th Academy Awards closing on Tuesday, take a final look at AWN’s coverage of the contenders for Feature Animation, Short Animation and Visual Effects.
As part of AWN's Professional Spotlight Series recorded during VIEW 2016, the Oscar-nominated VFX supervisor talks about a decade of filmmaking innovation and advancement at LAIKA.
VFX supervisor Richard Bluff describes Industrial Light & Magic’s dazzling New York and Hong Kong sequence work in Marvel’s supernatural adventure hit.
Walden Venture Capital and Autodesk invest in revolutionary new cloud rendering platform behind the visual effects for 2016 blockbusters ‘Deadpool’ and ‘Star Trek Beyond.’
Carl Bass to step down as CEO, remain on Board of Directors; Board undergoing CEO search, institutes Office of the CEO during transition.
New plugin brings the lightning-fast speed of GPU-accelerated render engine Redshift to SideFX’s powerful all-in-one 3D application combining modeling, animation, rigging and compositing.
One-night-only event featuring an exclusive first look at film footage to be held across 14 North American cities on February 28th.
As part of AWN's Professional Spotlight Series recorded during VIEW 2016, the Oscar-nominated VFX supervisor discusses the challenges of virtual production on the hit Disney live-action/CG hybrid feature film.
Digital Material Authoring package expands into a comprehensive texture, scans and MDL Processing tool for game development, animation/VFX and design visualization.
Los Angeles and Melbourne-based VFX shop expanding into original content with artist and animation director Hibon at the helm as Head Creative Director.
LAIKA’s ‘Kubo and the Two Strings,’ Disney’s ‘Inner Workings’ and ‘Zootopia,’ and Pixar’s ‘Finding Dory’ among 28 awards for distinguished achievement.
Mill+ directing collective bif choreograph a surreal collision of live action and CG
Academy gives nod to supporting visual effects with nomination of Industrial Light & Magic team led by VFX supervisor Craig Hammack for director Peter Berg’s depiction of the disastrous 2010 Gulf of Mexico oil rig explosion and spill.
Jan Kalvoda and Premek Ponahly blend CG-design, live-action, and stop-motion animation to create mesmerizing commercials.
