New release provides new creative tools for artists, better 3D and editorial workflow integration.
Beijing-based VFX house provided visual effects for Chinese box office hits ‘Monster Hunt’ and ‘Star Wars: The Force Awakens.’
‘Mad Max: Fury Road’ wins nine critics’ awards, including best director and best visual effects; Pixar’s ‘Inside Out’ wins best animated feature; Netflix series ‘BoJack Horseman’ wins best animation series.
Animation entertainment studio infuses its trademark flourish in an all-digital intro film that showcases the multi-hued models in the mysterious confines of a hangar space.
MPC’s content production arm produces a film and VR experience for CES 2016 highlighting the performance of Faraday Future’s technology platform with the FFZERO1 high-performance electric dream car.
Creative studio harnesses the power of GPU-accelerated, biased renderer to deliver high-quality visuals at a fraction of the time compared to traditional render solutions.
Leading motion- and facial-capture companies Animatrik Film Design, Dimensional Imaging (DI4D), and Technoprops to host Open House events January 19-22 in Del Rey, CA.
Under the lead of VFX supervisor Nicolas Chevallier, Cinesite provides digital matte paintings and set extensions, fluid and particle simulations, character animation, lighting, compositing and more for director Alejandro González Iñárritu’s ‘The Revenant.’
Open to 20 selected applicants, six-month program designed to train to train filmmakers from the U.K. and France in VFX and Stereo 3D techniques runs June through November 2016; deadline for submissions is March 1.
Award-winning studio brings RADO’s print imagery to life across three high-quality shorts.
Luxion strengthens its real-time rendering and lighting simulation focus with patent on industry-leading HDR technology.
Nominees for Best Animated Feature are ‘Anomalisa,’ ‘Boy and the World,’ ‘Inside Out,’ ‘Shaun the Sheep Movie,’ and ‘When Marnie Was There.’
Action-packed short film written and directed by Seth Worley showcases masterful visual effects and post-production completed with the help of Red Giant Trapcode Suite, Magic Bullet Suite, Keying Suite and more.
From submission to entry vetting and voting, production tracking, review, and asset management software Shotgun is the center of awards tracking and management process.
American Society of Cinematographers nominates ‘Beasts of No Nation,’ ‘Macbeth’ and ‘Son of Saul’ for Spotlight Award recognizing outstanding cinematography in feature-length projects screened at festivals, internationally, or in limited theatrical release.
Disney veteran to succeed Brad Globe, who will step down in February after more than a decade overseeing WBCP.
Award-winning digital artist previously worked as Senior Flame Artist at a52.
New video from MPC Creative goes behind the scenes of the ‘Goosebumps’ Virtual Reality experience created for Sony Pictures.
Nexus directors Smith & Foulkes announce the release of ‘Animals,’ a 60-second commercial for U.S. business messaging interface Slack.
Flame artist has previously worked with Big Block, Brand New School, Digital Domain, Fuel, Logan and MPC.
Competition judges include Virtual Reality/Augmented Reality luminaries from Microsoft, Oculus, Sony, PTC Unity Technologies, University of Southern California and UploadVR.
‘Star Wars: The Force Awakens’ leads feature film nominations; ‘The Peanuts Movie’ is top animated film contender; ‘Game of Thrones’ leads the broadcast field and scores most nominations overall.
Animated feature nominees include ‘The Good Dinosaur,’ ‘Hotel Transylvania 2,’ ‘Inside Out,’ ‘Minions’ and ‘The Peanuts Movie.’
Managing director Maria Hanafy to run international animatics shop’s 10th location, joining offices in New York, Chicago, Los Angeles, London, São Paulo, Bangkok, Tel Aviv, Düsseldorf and Shanghai.
Event sponsored by Rising Sun Pictures, The Foundry and Tyroe to provide young artists with insight into the minds of visual effects studios and recruiters.
