Ben Whishaw returns as beloved voice of Paddington in new CG-animated preschool series set to air in 2020.
Sold-out inaugural 2019 BRIC Talent and Innovation Summit gathers a diverse array of creative professionals and leaders in entertainment and technology to reinvent how the industry recruits, supports and nurtures talent.
The Motion Picture Academy garners backlash for relegating four craft awards to commercial breaks during the live telecast for the upcoming 91st Oscars.
Former lead executive on the VFX Oscar-winning ‘Life of Pi’ returns to Method to oversee the studio’s global feature film and episodics production operation.
Industry’s first such master’s degree course, developed with mentors Blue Zoo and The Third Floor, is set to launch this coming November.
‘Roughhouse’ by Jonathan Hodgson wins BAFTA for British Short Animation.
Winners will be announced during Canadian Screen Week running March 25-31 in Toronto.
Take a closer look at the winners of the 17th annual VES Awards, both onstage and off, at this year’s Visual Effects Society gala.
Adobe After Effects and Photoshop, the Medusa Performance Capture System, and -- for the first time -- Maxon Cinema 4D among nine scientific & technical achievements to be honored at this year’s annual presentation.
Submissions open for summer 46th annual computer graphics conference running July 28 through August 1 in Los Angeles.
‘Mary Poppins Returns’ director Rob Marshall honored with the Cinematic Imagery Award.
‘Avengers: Infinity War’ garners top feature film with four awards; ‘Spider‐Man: Into the Spider‐Verse’ is top animated feature film; ‘Lost in Space’ leads broadcast wins.
Mike Chambers returns as Board Chair; Brooke Lyndon-Stanford is first elected officer from outside North America.
Sony Pictures Imageworks VFX supervisor Danny Dimian will present work on hit animated feature; animators Sophie Koto Gate, Michael Frei, Boris Labbé and Tomek Popakul will share their distinctive work.
Chinese TV hosts introduce their virtual replacements.
Leading up to Oscar Sunday on February 24th, catch up on AWN’s coverage of the films and creative teams nominated for Best Visual Effects at the 91st Academy Awards.
‘Sonic the Hedgehog’ and ‘Jump Street 22’ writer Oren Uziel tapped to write the screenplay.
Open-source, high-performance render manager based on Sony’s in-house queuing system, Cue 3, is purpose-built for the needs of the visual effects and animation industry.
James Cameron and Robert Rodriguez’s long-awaited epic sci-fi thriller opens in theaters February 14.
Veteran artist previously earned VES Award and Primetime Emmy nominations for work on Netflix series ‘Lost in Space.’
First-ever all-day interactive summit aims to support the next generation of creative leaders and industry disrupters.
Serbia-based group will lead Epic and Unreal Engine’s worldwide digital human efforts.
Substance design software, used in 3D editing and authoring for games and entertainment production, is coming to Creative Cloud.
Blockbuster Marvel feature that almost launched its own Popular Film category at the Oscars racks up seven Academy nods, including a groundbreaking nomination for production designer Hannah Beachler.
Contenders in the animated feature, animated short film and visual effects categories share their initial reactions to their nominations for Oscar gold.
