Animated short showcasing the Sao Paulo-based CG studio’s artistry is directed by Mario Pece and produced by Helena Hilario.
Bournemouth, U.K.-based VFX studio provides 88 complex shots for director Babak Anvari’s BAFTA-nominated film set in in 1988 during the Iran-Iraq war, including cloth simulations, CG characters, digital doubles, and digital matte paintings.
Lucasfilm publishes a statement on the official Star Wars website dispelling rumors of a possible CG Princess Leia or General Leia Organa in future installments.
The ultimate TV fan festival running March 17-26 to spotlight FOX’s Emmy-winning animated series, ‘Bob’s Burgers.’
Seasoned artist joins Roundabout with more than 20 years of post-production experience spanning features, television and restoration projects.
Former EFILM exec Grove named SVP of Global Feature Sales; Lee, formerly the SVP of Feature Services for Deluxe’s Company 3, takes on expanded role as SVP, Global Client Strategy, Creative Enterprise Sales.
Montreal studio is nominated for its work on ‘Game of Thrones’ Season 6 and ‘Black Sails’ Season 3.
Nomination for Outstanding Composition in a Photoreal Feature comes for RSP’s work on the Quicksilver Extraction sequence in ‘X-Men: Apocalypse.’
Branding agency specializing in broadcast design hires former media and technology consultant and Viacom Media Networks exec as Account Director.
Design and content studio creates a bold new look, bringing a premium polish to the NBA on ESPN.
New partnership with Virtual Reality production company co-founded by ‘Suicide Squad’ VR experience creators Guy Norris and Harrison Norris merges production expertise with best-in-class global VFX, real-time rendered VR and on-set data services.
New images, poster and a TV spot support upcoming live-action remake of the classic 1991 animated feature.
You can't always get what you want, but if you try sometimes, you just might find, you get what you need.
From fiery photorealistic oil rig disasters and fractal geometry-based inter-dimensional mind-bending psychic excursions, to a digitally recreated Carrie Fisher as young Princes Leia, this year’s crop of ten best visual effects productions presented at the Motion Picture Academy represent another reminder of the breadth, depth and range of creative artistry and talent within the industry.
Post production veteran returns to Deluxe as SVP of Sales at Encore New York to support the growing demand for the company’s TV post services.
V-Ray rendering technology integrated into Adobe’s Project Felix, creating new 3D compositing application for graphic designers.
Acclaimed creature effects studio currently in production on special effects for ‘Underworld: Blood Wars,’ ‘ Legion,’ ‘The Expanse’ and ‘Prison Break.’
With nearly a decade of experience in motion graphics and design, spanning television, advertising and broadcast promos, Moseley joins Reel FX from Starz Entertainment.
Twenty-two creative jurors representing 10 countries to judge entries from around the world; deadline for entries is January 31, 2017.
Pixar’s ‘Finding Dory,’ LAIKA’s ‘Kubo and the Two Strings,’ and Disney’s ‘Moana’ and ‘Zootropolis’ (‘Zootopia’) receive nominations for best animated feature; British short animation nominees are ‘The Alan Dimension,’ ‘A Love Story’ and ‘Tough.’
‘Rogue One: A Star Wars Story’ receives most feature film nominations; ‘Kubo and the Two Strings’ is top animated film contender; ‘Game of Thrones’ leads the broadcast field and scores most nominations overall.
Working alongside production VFX supervisor Erik Nordby, MPC VFX supervisor Pete Dionne and VFX producer Tomi Nieminen oversaw a team of around 600 artists to create more than 1,100 shots for director Morten Tyldum’s space adventure.
GAGA Corporation to distribute LAIKA’s Golden Globe-nominated animated film in Japanese theaters in 2017.
Overview of upcoming Disney, Lucasfilm, Marvel and Pixar release dates and synopses includes new film images and logos.
Heading into Awards Season, the director of Disney’s 2016 photoreal live-action/CG hybrid action-adventure hit reflects on his initial skepticism and concerns adapting an animated feature film classic.
