First full-length trailer gives a glimpse at some of the film's most iconic scenes, including Genie’s dance with his magic carpet.
Mind-bending series entering production on its third season combines live-action and CG animation using iPi’s markerless motion capture software.
Shotgun Software showcasing its Jira, After Effects, Unreal Engine and Unity integrations at the 2019 Game Developers Conference.
A diverse group of nine female creative professionals working at Pixomondo share their career histories, motivations and insights from navigating a male-led industry.
New ‘Rapture of the Deep’ trailer, created by students at the Filmakademie‘s Animationsinstitut for the FMX Immersive Media track, is now online.
Marking the only time Sanrio has granted film rights to the iconic character, feature film project to be produced by FlynnPictureCo. and distributed by Warner Bros.
More than 30 virtual reality projects to be presented at the Virtual Arcade and Tribeca Cinema360 at the 2019 Tribeca Film Festival.
Former Netflix executive will oversee content for The Walt Disney Company’s new streaming service launching later this year.
David Piombino appointed deputy head of 2D alongside VFX supervisor Thiago Porto, CG lead Dan Fine and senior FX/CG supervisor Santosh Gunaseelan.
Game industry veteran appointed studio manager of Framestore’s immersive department based in Montreal.
Academy Award-winning VFX industry veteran has contributed to more than 30 feature films, including blockbuster hits ‘Men in Black,’ ‘Pearl Harbor,’ ‘Hook’ and ‘The Maze Runner.’
Unlimited rendering power for 3D artists and designers with no hidden fees.
In new spot, tiny, toy-like animated Lottery Vending Machine warmly greets various people around town who benefit from game proceeds.
Media and entertainment trade union BECTU calls for new industry code of practice to better protect freelance workers when companies go into administration.
VFX producer Becca Scott and VFX supervisor James Rustad to oversee new Montréal studio.
RSP teams with Weta Digital for new film’s lunar battle and zero-gravity training sequences.
VFX supervisor Paul Lambert, DFX supervisor Tristan Myles, miniature effects supervisor Ian Hunter and special effects supervisor J.D. Schwalm receive Academy Awards for their contributions to director Damien Chazelle’s historical biopic.
‘First Man’ wins Oscar for Best Visual Effects; ‘Black Panther’ wins three awards including Costume Design, Production Design & Original Score.
Firm’s analysis projects hardware acceleration and improved algorithms will enable ray tracing software to dominate rendering market by 2023.
Noted Oscar-winning production designer will be joined by Patrick Hanenberger from ‘The LEGO Movie 2’ in sharing their latest work.
From the floating city of Zalem and the vast Iron City to the massive crowd-filled Motorball stadium, Framestore delivers a broad range of visual effects for Robert Rodriguez’s action-packed dystopian feature.
Livestreamed opening talk with CEO Tim Sweeney and CTO Kim Libreri, plus tech briefings and two exhibition floor booths for demos and networking part of company’s extensive show plans.
To produce believable looking and sounding fireworks for director Jon Chu’s final shot, VFX supervisor Nhat Phong Tran broke new ground with his ‘Crazy Niche Equations.’
Blizzard’s ‘Overwatch’ tops short form category for ‘Reunion’; Google Spotlight Stories VR short ‘Age of Sail’ awarded for special venue project.
Following backlash from the American Society of Cinematographers and the American Cinema Editors, the Motion Picture Academy announces a return to its traditional format for the 91st Academy Awards telecast.
