New appointment reflects Framestore’s expansion into virtual reality and other immersive content.
Leading provider of high-quality visualization services provides extensive previs and postvis services for Oscar VFX nominees ‘Guardians of the Galaxy’ and ‘Captain America: The Winter Soldier.’
Studio’s work on the film’s Quicksilver “Kitchen” scene also garners BAFTA, VES and AACTA nominations.
Award-winning independent visual effects producer and freelance VFX consultant Mike Chambers is elected Board Chair.
Its leaders citing a lack of financial support, a campaign to end international VFX subsidies to U.S. studios has ended.
Nominees for Best Animated Feature are Disney’s ‘Big Hero 6,’ LAIKA’s ‘The Boxtrolls,’ DreamWorks Animation’s ‘How to Train Your Dragon 2,’ Cartoon Saloon’s ‘Song of the Sea,’ and Studio Ghibli’s ‘The Tale of the Princess Kaguya.’
Director James Cameron plans to have scripts for the three highly-anticipated sequels completed this month.
Written and directed by Neill Blomkamp, sci-fi feature ‘Chappie’ arrives in theaters March 6.
MPC completes more than 500 shots for Ridley Scott’s ‘Exodus: Gods and Kings,’ including huge crowds, massive environments and complex FX work across 10 different scenes.
The Academy’s annual voting event showcases the year’s top visual effects-driven films.
'Dawn of the Planet of the Apes’ leads the feature film nominations; ‘Big Hero 6’ and ‘The Boxtrolls’ are top animated film contenders; ‘Game of Thrones’ leads the broadcast field.
Big Block brings innovative design and film techniques to digital launch of 2015 GMC Sierra HD.
Led by VFX supervisor Lou Pecora, Digital Domain delivers roughly 340 shots for Shawn Levy’s ‘Night at the Museum: Secret of the Tomb,’ including CG environments, animated Greek statues, and complex split-screens performances.
Nominees for Best Animated Film are Disney’s ‘Big Hero 6,’ LAIKA’s ‘The Boxtrolls’ and Warner Bros.’ ‘The LEGO Movie.’
Twenty-year veteran has worked on fan-favorite franchises from Marvel such as Joss Whedon’s ‘The Avengers,’ Kenneth Branagh’s ‘Thor’ and Jon Favreau’s ‘Iron Man.’
New video provides highlights of nearly 900 visual effects shots created by Industrial Light & Magic with an international crew of more than 300 artists and staffers.
Two-time Emmy nominee is serving as VFX Supervisor for ‘Turn,’ the Revolutionary War series now in its second season on AMC.
Growing Montreal team to spearhead visual effects for Lionsgate’s forthcoming supernatural action film, ‘The Last Witch Hunter.’
ILM alum will oversee all work at the company’s newly expanded New York studio.
The visual effects supe and second unit director discusses his work on Michael Bay’s biggest ‘Transformers’ film yet.
Led by VFX supervisor Mark Stetson, Vancouver and Los Angeles studios craft 155 shots for Tim Burton’s latest live action feature.
Building on the success of the award-winning “Barry the Platypus” ads, new campaign features CG creatures developed by MPC.
Latest episode of web series produced by PBS Digital recreates the Millennium Falcon scene from the trailer for ‘Star Wars: The Force Awakens.’
MPC completes 250 shots for Shawn Levy’s ‘Night at the Museum: Secret of the Tomb, including the creation of a variety of characters, digi-doubles and CG environments.
Visual effects software developer Boris FX signs an agreement to acquire Imagineer Systems Ltd., the UK-based developer of the exclusive Planar Tracking and masking tools.
