3D combo pack, Blu-Ray combo pack, DVD and Digital HD from Warner Bros. Home Entertainment available on Digital HD on October 6; Blu-ray Combo Pack debuts on October 20.
The five nominees for Outstanding Animated Program are FX’s ‘Archer,’ Fox’s ‘Bob’s Burgers’ and ‘The Simpsons,’ Cartoon Network’s ‘Over The Garden Wall’ and Comedy Central’s ‘South Park.’ VFX nominees include Starz’ ‘Black Sails,’ The CW’s ‘The Flash,’ HBO’s ‘Game of Thrones,’ Marvel’s ‘Agents of S.H.I.E.L.D.,’ and the History Channel’s ‘Vikings.’
Emmy award-winning CGI and digital solutions company Mackevision creates some of the most iconic scenes in the smash-hit HBO series, including the city of Braavos and King’s Landing.
Alongside the increasingly complex evolution of three fully-grown CG fire-breathing dragons, VFX house Pixomondo leverages Cospective’s cineSync review and annotation tool for global production pipeline for HBO’s ‘Game of Thrones.’
Released by Dover Studios co-founder Andrew Hazelden, Autodesk Maya plug-in RocketComp instantly connects Maya to 10 of the most popular desktop compositing applications in use today.
Directed by Peyton Reed and produced by Kevin Feige, Marvel’s Ant-Man arrives in theaters on July 17, 2015.
The three-and-a-half minute reel from San Diego Comic-Con 2015 is a montage of behind-the-scenes footage emphasizing the practical sets and visual effects created for the film.
Join the Editors’ Lounge on Friday, July 31st for demonstrations on the latest features in DaVinci Resolve and Fusion Studio.
John Knoll is re-elected to Visual Effects branch of the Academy’s Board of Governors; Bill Kroyer is re-elected to the Short Films and Feature Animation branch.
Under the supervision of model maker Mark Anderson, 32TEN Studios creates 19-foot “miniature” models of the massive gates that welcomed visitors to the prehistoric theme park Jurassic World.
Iloura VFX supervisor Glenn Melenhorst discusses the return of Ted, the politically incorrect talking teddy bear that stars in Seth MacFarlane’s adult comedy sequel.
Culver City, CA-based VFX shop takes off on a blissful dinosaur adventure in the new stop-motion animated ‘Dino Trip’ for Trolli.
Former Light of Day creative director Leo Nguyen joins Carbon VFX with an impressive skillset that spans across art direction, illustration, 3D, motion graphics and editing.
Software update introduces important advances in physically based rendering for VFX and CG animation.
London-based VFX house delivers 1,000 VFX shots for BBC mini-series ‘Jonathan Strange & Mr Norrell,’ including 3D environments, crowd simulations, water, mud and sand effects simulation, modelling and texturing, matte painting, animation and 2D work.
Montreal-based visual effects studio combines practical elements with CG to create a realistic look for Brad Bird’s ‘Tomorrowland,’ including digital matte painting, bluescreen compositing, scene enhancements, CG effects and simulation.
Umberger amplifies live-action storytelling with dynamic effects to create a uniquely energetic visual extension of the music.
SIGGRAPH announces the complete lineup for this year’s Production Sessions program for its 42nd annual conference, set for August 9-13 at the Los Angeles Convention Center.
600-student educational institution offering a unique curriculum fusing digital art, engineering and entrepreneurship, will relocate to a new site at 191 Baypointe Parkway in San Jose, CA.
Award-winning VFX house Framestore adopts IKinema Action for Autodesk MotionBuilder.
New alliance gives the two VFX houses a combined staff of over 525 artists worldwide, with capacity for 675 at their studios in London, Vancouver and Montréal.
Led by VFX Supervisor Seth Maury and VFX Producer Laura Schultz, MPC Vancouver completed 250 shots for Shawn Levy’s ‘Night at the Museum: Secret of the Tomb.’
Lightweight inertial capture suits allow production company MRC to lay down Ted’s performance live on set.
In this four-part interview from FMX 2015, Christopher Townsend, the overall VFX Supervisor on ‘Avengers: Age of Ultron,’ provides a detailed overview of the key components of the Marvel Studios tentpole.
Australian animation and visual effects studio completes more than 1,000 shots for Seth MacFarlane’s raunchy sequel, ‘Ted 2.’
