Coming July 30, the epic adventure down the Amazon, inspired by the Disneyland ride, also stars Emily Blunt, with VFX by ILM, DNEG, Weta Digital, Rising Sun Pictures, Rodeo FX, and UPP; see the trailer and Johnson announce his role in the film.
Leading VFX company continues its expansion efforts with purchase of Australia-based high-end visual effects studio; combined companies will have close to 800 artists in eight locations around the globe.
Studio’s business growth enhanced by Australia’s strong COVID-19 response, generous government incentives, and Australia’s PDV offset; creative team to top 225 at Adelaide location.
South Australia’s booming movie industry has created a demand for skilled VFX artists; RSP and University partner to train and provide home-grown talent to bolster burgeoning industry.
Free sessions spotlight the latest CG technology, trends, and techniques as well as practical discussions about navigating a changing industry in the shadow of the global pandemic.
Adelaide, South Australia-based VFX production house today marks 25 years creating visual effects for some of Hollywood’s biggest films.
Mike Chambers returns for his sixth term as committee chair.
Led by VFX supervisor Dave Morley, the studio delivered more than 700 shots for James Mangold’s faithful and exciting depiction of the famous 1966 24 Hours of Le Mans.
VFX studio builds photoreal replica depicting famous ’24 Hours of Daytona’ racetrack for James Mangold’s thrilling historical auto racing drama.
Australian studio tackles 100 shots on Marvel’s hit superhero action-adventure sequel to ‘Spider-Man: Homecoming.’
VFX supervisor Phil Brennan describes the making of Jean Grey’s cosmically altered telekinesis, her childhood car crash, an enhanced Cerebro and the 3rd act prison train.
Veteran compositing supervisor brings with her more than 40 movie and TV credits including ‘Ghostbusters,’ ‘The Jungle Book,’ ‘X-Men: Days of Future Past’ and ‘Avatar.’
Adelaide, South Australia-based studio delivers hundreds of complex VFX shots for the latest addition to the Marvel Cinematic Universe.
RSP teams with Weta Digital for new film’s lunar battle and zero-gravity training sequences.
First glimpse of live-action remake promises a faithful and visually enticing reimagination of beloved animated classic.
Working on a tight schedule, South Australian visual effects studio produces more than 100 shots for 20th Century Fox’s alien adventure.
New set of artist tools uses real-world physics to enhance and speed up creature FX creation.
VFX studio to grow staff by one-third over next few months as well as add additional space and technological resources.
Studio produces a host of creative and technically complex shots running the gamut from creature effects to fantasy environments for new international fantasy adventure.
Visual effects supervisor Paul Linden helps orchestrate a successful marriage between stunts, special effects and visual effects for the new Lara Croft film.
This winter offers a franchise reboot, massive destruction on a global scale, and the return of Paddington the bear, but the real story just might be the worlds of wonder conjured up for the Disney adaptation of ‘A Wrinkle in Time.’
Marvel Studios VFX supervisor Jake Morrison oversaw just under 2,700 shots contributed by Framestore, Digital Domain, Double Negative, Industrial Light & Magic, Rising Sun Pictures, Method Studios, Iloura and Luma Pictures for the third instalment of the God of Thunder franchise.
Australian VFX studio takes the lead in slow-motion battle scene, leveraging its recently-expanded character animation department to create photoreal warriors, horses and digital characters.
Studios from Sydney to London help create the visual effects for Ridley Scott’s new sci-fi/horror film.
Award-winning visual effects studio builds new classroom facility to accommodate more students and new program offering a Graduate Certificate in Dynamic Effects and Lighting.
