rig removals

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Kaitlyn Yang Celebrates Being ‘American Born Chinese’

The VFX supervisor, born in China before coming to the U.S. at age 9, shares her work overseeing 1100 visual effects shots on the Disney+ series that included the trickster God Monkey King’s transformation from falcon to tiger to fish, various gravity-defying flying characters, digital doubles, and an ambitious waterfall setting for a dangerous cliff jump.

In 3D, Acting, CG, Comics, Digital Media, People, Television, Visual Effects | VFXWorld | Geographic Region: All

Move over Jack Skellington! VFXWorld

FuseFX Helps ‘Extend’ the Hijinks in Henry Selick’s ‘Wendell & Wild’

VFX supervisor Paul Santagada’s team used CG to build out and assemble the film’s physical Rust Bank Cemetery and Underworld sets, integrating plate elements, performance passes, secondary bits, and a bunch of fluid, smoke, breaths, and bubbles - delivering 275-300 shots across around 12 sequences on the stop-motion comedy horror film, now streaming on Netflix.

In 3D, CG, Digital Media, Films, People, Technology, Visual Effects | VFXWorld | Geographic Region: All

Feature Film VFX Headline News

WATCH: Pixomondo VFX Breakdown Reel for ‘The Hunt’

Led by VFX supervisors Johnny Gibson and Edward Hawkins, the studio provided a bucket-full of digital blood and gore, wounds, muzzle flashes, deadly arrows and a digital jet on the Jason Blum and Damon Lindelof produced action-thriller.