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Tagged With: Namit Malhotra

Business Headline News

DNEG’s Brahma Division Acquires AI Tech Company Metaphysic

By Dan Sarto | Tuesday, February 18, 2025 at 11:25am

Merger with the leading AI VFX tool company used in Robert Zemeckis’ ‘Here’ to de-age stars Tom Hanks and Robin Wright, coupled with United Al Sager Group’s second investment in the DNEG Group, leaves Brahma with post-transaction value of US$1.43 billion.

Business Headline News

DNEG Group Secures $200M Investment

The United Al Saqer Group’s fund infusion accelerates company’s diversification from service provider to content production and AI-powered technology partner, bolstering expansion of Prime Focus Studios’ content creation efforts, start of new tech division Brahma, and launch of visual experience hub in Abu Dhabi.

Business Headline News

DNEG Launches DNEG 360 Division with Dimension Studio

The two companies’ joint virtual production venture expands to provide end-to-end client production solutions, from development through post; LED volume stages are also debuted in London and Rome.

Business Headline News

DNEG Launches DNEG IXP

New immersive experience division, helmed by managing director Josh Mandel, crafts creative experiences for businesses, brands, and game publishers; will focus initially on gaming, virtual concerts, and theme park ride experiences.

People Headline News

DNEG Adds Emmy-Nominated Producers Ron Ames and Jesse Kobayashi

Company taps the pair to advance and improve its service offerings and provide creative technological solutions to filmmaking challenges.

People Headline News

DNEG Adds Academy Award Winner Tim Burke as VFX Supervisor

The visual effects veteran brings 20+ years’ experience to his new role, including an Oscar win on Sir Ridley Scott’s ‘Gladiator’ and a BAFTA win on ‘Harry Potter and the Deathly Hallows: Part 2.’ 

Business Headline News

DNEG Acquires Key Production and Post-Production Facilities in India

The leading VFX and animation studio’s deal with parent company Prime Focus Limited for India-based integrated film and TV studio assets includes PF Studios, Digital Intermediate, Equipment Rental Services (EQR), and PFL’s Advertising post-production business.

People Headline News

DNEG Appoints Guillaume Rocheron as Visual Effects Supervisor

The Oscar and BAFTA-winning industry veteran’s credits include Jordon Peele’s ‘Nope,’ Sam Mendes’ ‘1917,’ and Michael Dougherty’s ‘Godzilla: King of the Monsters;’ will work out of the studio’s Los Angeles office. 

Business Headline News

DNEG Announces New Sydney Studio

Slated to open in early 2023 with award-winning VFX Supervisor and Australian national Andrew Jackson at the helm, the studio will lead the visual effects production on George Miller’s highly anticipated ‘Mad Max’ prequel ‘Furiosa’ - coming in 2024.

People Headline News

DNEG Adds Oscar Winner Joel Hynek to LA Talent

The 2-time Academy Award-winning VFX supervisor boasts over 40 years of industry experience; he’ll work from the company’s LA studio on a yet-to-be-named project.

People Headline News

DNEG Promotes Chas Jarrett to Creative Director

VFX veteran takes the reins from current creative director and two-time Oscar-winning VFX supervisor Paul Franklin, who will continue providing visual effects consulting to the company on features as well as develop and direct new projects.

Business Headline News

DNEG Nixes SPAC Business Combination Deal with Sports Ventures

By Dan Sarto | Thursday, June 16, 2022 at 11:35am

Due to unfavorable SPAC market conditions, the companies have terminated their pending business combination agreement that would have seen the the leading VFX and animation studio go public.

Business Headline News

DNEG’s Toronto Studio Now Open

Studio’s doors opened May 13 with 150+ new hires; studio’s latest Canadian expansion comes amidst tremendous growth in worldwide demand for VFX and animation services.

Awards Headline News

For VES Winners, a Night of Emotion and Renewed Purpose

AWN’s Max Weinstein reflects on last week’s VES Awards ceremony, an evening filled with excitement that nevertheless marked another rough, taxing year for visual effects artists, the industry, and the world at large.

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