VFX house One of Us worked through the COVID-19 pandemic to deliver 350 shots on Netflix’s wildly popular period romance drama set in an alternate Regency-era universe.
UK visual effects studio tackles a choreographed radium dance, WWI battlefield, Hiroshima bombing, and Chernobyl disaster in Marjane Satrapi’s captivating biographical drama.
Justin Wagner and Chi Duong Sato share artwork and creative insights as FXX’s hit animated comedy awakens from a 3-season coma and returns to the good old fashion, sexually charged, bickering filled, often drunkenly performed business of espionage.
Company carbonizes and de-carbonizes Jeremy Iron’s character, turning the actor into a golden statue, in Damon Lindelof’s highly acclaimed series.
In the first of a new ‘quick and dirty’ animation production spotlight series, Ritzy Animation’s Dan Edgley and Charlie Batho allow their team a mere 32 hours to produce something deliciously sinister.
Lead VFX studio on James Gray’s outer space thriller tackled scientifically accurate, realistic rocket takeoffs, landings, a Mars base and the rings of Neptune.
Leading visualization company shares a set of 29 revealing images showcasing their extensive work on James Gray’s outer space thriller, which stars Brad Pitt and Tommy Lee Jones.
Casey Pyke discusses his company’s previs and postvis work on Plan B Entertainment’s thrilling space adventure, which stars Brad Pitt and Tommy Lee Jones.
For first-time VFX supervisor Stirling Duguid, animating water, lava, pig snot and millions of feathers was only part of the fun producing the sequel to Rovio’s 2016 animated hit, ‘The Angry Birds.’
Using customized Nuke tools, Sony Pictures Imageworks created the film’s signature graphic look almost entirely in comp.
