The studio collaborated with DIGIC Pictures, Axis Animation, Illusorium, Platige, and Goodbye Kansas on the animated anthology series, scaling render capacity while sharing files with Amazon Simple Storage Service (Amazon S3) to alleviate rendering challenges.
Production studio explores different animation styles with the help of V-Ray renderer for new anthology series now on Netflix.
Exhibition hall highlights included algorithms driving increased 2D character animation production speed and more immersive virtual reality experiences.
Sentient dairy products, werewolf soldiers, robots gone wild, garbage monsters, cyborg bounty hunters, alien spiders and blood-thirsty demons from hell converge in an 185-minute genre orgy of *NSFM* (not suitable for mainstream) shorts.
V-Ray developers organize event dedicated to the future of rendering.
Character effects supervisor Eric Maurer and asset supervisor Oded Raz to bolster studio’s leadership team as the company gears up for the next round of feature work by Blur co-founder and ‘Deadpool’ director Tim Miller.
Two-minute trailer and behind-the-scenes video from Oscar and Emmy-nominated production studio showcases scope and scale of ‘Halo Wars 2’ universe.
Former Digital Domain VFX and Compositing Supervisor oversaw work for spots for brands including Nike, Lexus, Cadillac, Nissan, Kia, ‘Assassin’s Creed’ and the ‘Destiny’ franchise.
Trunk Animation directors Layla Atkinson and Pete Mellor create a new animated music video for Blur’s latest single, ‘Ong Ong.’
Blur brings a special brand of high-octane storytelling to the imaginative world of ‘Skylanders’ in two new spots, ‘Inside the Trap" and "Trapping Kaos."
VFX Sequences, Concept Design and Stereo 3D Titles Tease ‘Sinister Six’ Lineup.
Shotgun replaces Blur’s proprietary production management software; frees internal development resources to focus on creative tools.
