In which Chris Robinson asks animators profound and inane questions that have little to do with animation. Today's guest is Estonian animator, Mait Laas.
Tiny Island Productions will adapt and expand their ‘Dream Defenders’ animated series for the China market with a TV series, feature film, comics and an augmented reality experience, all as part of WingsMedia’s hope to grow ‘Starship MZ’ properties into China’s Marvel Universe equivalent.
Warner Bros. to release Ultra-HD Blu-Ray Combo Pack, Blu-Ray 3D Combo Pack, Blu-Ray Combo Pack, DVD and Digital HD versions of the film.
Postvis/VFX supervisor Teftt Smith II discusses the Santa Monica studio’s work on nearly 300 shots from previs through final delivery.
A message from the future with a warning for all creative souls...
The acclaimed director’s Oscar-nominated short warns that humanity's constant fear of the future and obsession with the past imperils our ability to live in the present.
Every Friday Chris Robinson unleashes some freewheeling cheer or loathing on the animation community to be mused, countered, or disregarded. It’s your call.
Chris Robinson is feeling all patriotic this week as he takes a look at 'O Canada' by the vastly underappreciated NFB legend Evelyn Lambart.
The 2016 VIEW Conference in Turin, Italy promises once again, as it does each year, an inspirational week spent watching the best work from animation, VFX and game industry greats.
‘Kung Fu Panda’ director’s long-awaited CG/stop-motion adaptation of the classic French novella finally gets released in the U.S.
MPC VFX supervisor describes the studio’s innovative efforts handling 1200 shots alongside Rob Legato on Disney and Jon Favreau’s blockbuster family adventure hit.
Oscar-winning VFX supervisor breaks down his work designing and filming Jon Favreau and Disney’s hit action-adventure feature.
According to the director of Disney’s latest hit feature, ‘The Jungle Book’ could be called both live-action and animated.
Joe Letteri, senior VFX supervisor and studio director at Weta Digital, discusses the use of digital characters and virtual production technology on the three 'Hobbit' films.
Open to 20 selected applicants, six-month program designed to train to train filmmakers from the U.K. and France in VFX and Stereo 3D techniques runs June through November 2016; deadline for submissions is March 1.
Annual voting event showcases visual effects for the Academy’s shortlisted films: ‘Ant-Man,’ ‘Avengers: Age of Ultron,’ ‘Ex Machina,’ ‘Jurassic World,’ ‘Mad Max: Fury Road,’ ‘The Martian,’ ‘The Revenant,’ ‘Star Wars: The Force Awakens,’ ‘Tomorrowland’ and ‘The Walk.’
Directed by ‘Shrek the Third’ co-director Raman Hui, live-action/CG-animated hybrid feature will open in 3D on January 22 in all major North American markets.
Deluxe-owned company is commissioned by Lucasfilm and The Walt Disney Studios to create the stereoscopic editions for three upcoming releases in the iconic ‘Star Wars’ franchise.
David Sheldon-Hicks, Marti Romances and Peter Eszenyi share how they cued off authentic NASA mission control systems to bring realistic computer UI designs to Ridley Scott’s sci-fi hit.
Prime Focus World delivers 15 minutes of stereo footage for Ridley Scott’s space epic with the help of its View-D conversion pipeline and Blackmagic Design’s Fusion Studio.
Studio 100 Media signs deal with NBCUniversal’s preschool TV network Sprout for the rights to CG-animated series and Stereoscopic 3D feature, ‘Maya the Bee.’
Stereoscopic theatrical trailer will open S3D films on over 8,000 screens worldwide.
Geneva Film Co. and Prospero Pictures developing a feature film, television series and Virtual Reality experience based on award-winning animated short from Toronto-based director and stereoscopic 3D pioneer James Stewart.
VFX studio Luma helps Tool of North America create an immersive virtual driving experience, “A Drive Through Time,” for Infiniti.
‘Room Modes Calculator’ and ‘We Are Cubed’ among 48 finalists for Google’s 2015 Project Tango developer contest.
