My first Pictoplasma was an eye-opening affair set in the avant-garde city of Berlin.Combining a day-long “character walk” of installations set in fascinating locations, with screenings and lectures featuring the artist/creators themselves, it was a revelation of what a festival could be.
From the shores of enchanting Rio to Sao Paulo’s urban hustle and bustle, I was lucky enough to attend Brazil’s 2008 Anima Mundi festival. This is the only festival I know about that starts in one city for a week and then moves to another town for another week of festivities. While this makes it one of the longest festivals, I think most people would want it to last even a little longer.
Johannes Wolters dives into fmx/08, which this year offered an even greater number of stimulating discussions on the state of artistic and technological visual content.
Peter Plantec previews the speakers, presentations and parties that will make fmx/08 the most fun media conference of the year.
At 20th Century Fox, I Met the Walrus producer Jerry Levitan talks about interviewing John Lennon when he was 14 years old.
At the ILM Q&A, Madame Tutli-Putli director Maciek Szczerbowski and Peter and the Wolf director Suzie Templeton talk about the scale of their film’s puppets.
I banned them from talking about it as I was getting so nervous and then I checked the Oscar website in the afternoon and there we were! And then the phones all started ringing and Rosto gave me some flowers and champagne and whisked me off to dinner!
George Clooney squeezed my arm a few times at the nominee luncheon. Then he asked me where the bar was. That was pretty exciting.
Someone called me when I had friends over for dinner. It was someone who speaks English. I needed time to switch my brain in the English mode, but I understood: “…academy… motion picture…. Congratulations!!!” So I answered, “Yes ?! Thank you!” But I didn’t really understand what it was all about.
I was approached by a conductor, Mark Stephenson (who went on to be our Music Director on the film, and conducted the world premiere at the Royal Albert Hall) who had heard about the awards that I had picked up at film school, and he asked me if I had ever thought about doing films with live music.
The studio was crammed with interesting bits of artistry that clearly pulled in influences from a broad base of culture — art, theatre and film. Amidst the puppets, props, collage assemblages, posters and paraphernalia, I remember one sign that they had up on the wall, that said something like, “an impossible task, a tight budget and a crazy deadline are the mothers of invention”. No doubt, a little spirit catcher for stray producers.
Librarian of Congress James H. Billington adds 25 motion pictures -- including Harry Smith's abstract animation, EARLY ABSTRACTIONS #1-5, 7, 10 (1939-56) -- to the National Film Registry to be preserved for all time, bringing the total number of films on the registry to 450.
Fred Patten takes a look at this new book cataloging Spike & Mike's festival compilations and well as other notable edgy indie shorts.
