FX Lead Joe Thornley Heard and Executive Producer Laetitia Beaujard Ramoo join Bristol and Glasgow-based visual effects studio.
“What did the future used to be?” asks director Brad Bird regarding his latest feature, ‘Tomorrowland.’
Academy Award-winning VFX artists, cinematographers and production designers headline Visual Imagery panel; industry leaders host 14 interactive business roundtables.
VFX Supervisor Zave Jackson overseeing visual effects for the third and final installment in the trilogy.
Counting down to the 2014 VIEW Conference kick off October 14, 2014, we look back at Glenn's 2013 interview.
Arsenal FX produces dramatic, weather-driven visual effects for a new 30-second spot for Lexus, “The Point of All-Weather Drive.”
Witches, robots, cuddly bears and Moses himself are coming to theatres this fall.
Technology developer Autodesk supports the Steven Spielberg-inspired award for Outstanding Visual Effects in a Student Project for the seventh year in a row.
The Visual Effects Society is now accepting submissions for the 13th Annual VES Awards Show, recognizing visual effects in film, television, special venue, games & animation.
Free public festival in Brooklyn includes keynote address by Marisa Olson, panel discussions, workshops, exhibitions, and a multi-media after-party.
The Cinefex blog takes an in-depth, behind-the-scenes look at the visual effects created for LAIKA’s newest animated feature, ‘The Boxtrolls.’
Artists can now import 3D animated characters and blend them with 2D scenes in the latest version of Photoshop CC.
Artists rely on Qube! to manage renders on spots like Nike’s blockbuster ad for the World Cup, “The Last Game.”
Athena Studios names Vince De Quattro as the Executive in Charge of Production.
Paul Trillo, John Poliquin and B&W join Big Block Live’s creative collective, newly represented by Miss Smith, KK Reps and Devine Reps.
Free to download and available now for iOS and Android, MassMarker allows users to track and interact with any mobile device on set.
Latest Creative Cloud release drives deep connections between new family of mobile apps and enhanced CC Desktop Tools via all-new creative profile.
David Fincher's adaptation of Gillian Flynn's popular novel takes first place with $38 million, while the prequel to ‘The Conjuring’ is a very close second with $37.2 million.
Separate negotiations to acquire DreamWorks Animation reportedly break down.
Tight integration between Premiere Pro CC and After Effects CC allows multiple editors and VFX artists to work on the same project.
‘The Bridge’ program is a collaboration between Animation Skillnet, the Guinness Enterprise Centre, Dublin BIC and creative industry players such as Treehouse Republic, Windmill Lane and Piranha Bar.
WIZZdesign helps Peugot create ‘The Legend Returns,’ a photoreal spot for the Peugeot 208 GTI which pays tribute to the legendary 1984 film, ‘Bombardier.’
Adapted from the Seth Grahame-Smith’s novel of the same name, ‘Pride and Prejudice and Zombies’ combines Jane Austen’s classic 1813 novel with elements of modern zombie fiction.
Executive Producer Joanna Capitano is elevated to the position of Vice President of Features.
Team Detroit taps King and Country to produce “9 to 5’ers,” a dynamic spot for the 2015 Ford Transit.
