The executive producer discusses previs, techvis and postvis on Ridley Scott’s sci-fi adventure hit.
VFX supervisor Mark Bakowski discusses his team’s 10,000 frame, seven-minute ISS interior sequence for Daniel Espinosa’s and Sony’s sci-fi thriller.
New features, performance enhancements and cloud capabilities empower artists.
The studio’s CTO discusses producing the stunning, real-time rendered visuals of their brand new MOBA game experience.
First installment in new Modo 11 Series offers enhanced workflows and accelerated performance; new subscription-based model offers low monthly or annual payments with perpetual licenses still available for new and existing customers.
Updates improve the Shotgun experience for customers around the world.
Computer graphics conference and exhibition to feature a special art gallery dedicated to the works of contemporary Latin American artists, including Marcela Armas and Arcángelo Constantini, Rodolfo Peraza of Fanguito Studio and Gilberto Esparza.
Production sessions at Germany’s international conference on animation, visual effects, VR, games and transmedia also to include ‘Star Wars: Rogue One’ and Kraftwerk 3D.
First look at Nuke 11 feature set; new Elara cloud service for post-production to be demoed with special guest Lytro Cinema at livestreamed event.
Exclusive presentations from ILM, DNeg, Important Lookin Pirates, and more, to cover Clarisse 3.5’s wide range of improvements including a new set of innovative and creative features focused on layout, scene assembly, look development, lighting and rendering.
A curious ostrich stumbles onto a VR headset in new ‘Do What You Can’t’ spot for Samsung.
The veteran art director and concept artist discusses his work across a number of Weta feature film projects.
Proof Inc’s founder and creative director discusses recent previs, postvis, virtual production and virtual reality projects including his team’s work with director Justin Lin.
Major new update includes improved performance and new shaders; Autodesk bundles Arnold 5 with 3ds Max 2018, replacing Mental Ray.
Emmy-nominated VFX Supervisor with more than 30 years’ experience in post-production working in film and video editing, set supervision and visual effects earned a 2016 Emmy nomination for the pilot of Amazon series ‘The Man in the High Castle.’
The senior VP and Radeon Tech Group chief architect talks about growth and opportunities for GPU technology across media & entertainment, VR/AR and education industries.
ILM's supervising art director discusses the concept and production art pipeline on Walt Disney Pictures and J.J. Abrams' epic space adventure.
Weta Digital’s VFX supervisor discusses the studio’s visual effects work on two of last year’s biggest box office champs.
The Walt Disney Studios releases a new video, ‘Thank You for Being Our Guest,’ in celebration of the new milestone.
The Oscar-winning VFX supervisor discusses the stunning visual effects his team created for Walt Disney Pictures and Jon Favreau’s hit film, ‘The Jungle Book.’
Practical Effects captured with Spike, The Marmalade's high-speed motion control system
Raise your hand if you have a family member who uses VR every day
New automotive track at FMX 2017 to include series of talks with Marc Petit, general manager for Unreal Enterprise at Epic Games, about the use of real-time graphics and games engines in the automotive development process from design to retail.
DreamWorks Animation and distribution partner 20th Century Fox’s ‘The Boss Baby’ tops the domestic box office for the second consecutive week, earning $26.4 million; Funimation release ‘Your Name’ makes $1.6 million domestic debut.
VFX supervisor Axel Bonami details MPC’s development of new shooting techniques and software tools to create the stunning visuals for the live-action adaptation of the popular Manga series.
