Alongside the increasingly complex evolution of three fully-grown CG fire-breathing dragons, VFX house Pixomondo leverages Cospective’s cineSync review and annotation tool for global production pipeline for HBO’s ‘Game of Thrones.’
Released by Dover Studios co-founder Andrew Hazelden, Autodesk Maya plug-in RocketComp instantly connects Maya to 10 of the most popular desktop compositing applications in use today.
Directed by Peyton Reed and produced by Kevin Feige, Marvel’s Ant-Man arrives in theaters on July 17, 2015.
The three-and-a-half minute reel from San Diego Comic-Con 2015 is a montage of behind-the-scenes footage emphasizing the practical sets and visual effects created for the film.
The Walt Disney Company picks up first two seasons of award-winning CGI/live action hybrid series ‘Annedroids ‘for Central and Eastern Europe, the Middle East, South and Sub-Saharan Africa.
Join the Editors’ Lounge on Friday, July 31st for demonstrations on the latest features in DaVinci Resolve and Fusion Studio.
Vantage combines industry-leading motion capture technology with intelligent, accessible design.
Hsin-Chien Huang’s performance art piece creates visual sculptures from dancer movements with 3D printed keepsakes made from motion capture data.
Deadline’s new wizard enables secure communication using customers’ Google Cloud Platform account information to create a VPN connection between the user’s workstation and cloud account.
Annual SIGGRAPH conference offers potential candidates an opportunity to meet with Animal Logic’s recruitment team to work on ‘The LEGO Movie Sequel,’ scheduled to start production at Animal Logic Vancouver in January 2016.
Taking first place at the North American box office with a $115.2 million debut, Illumination Entertainment’s ‘Despicable Me’ spinoff scores the second-biggest opening weekend of all time for an animated title.
John Knoll is re-elected to Visual Effects branch of the Academy’s Board of Governors; Bill Kroyer is re-elected to the Short Films and Feature Animation branch.
Interactive art installation combines digital puppetry, motion capture and live action.
AMD professional graphics offers VR-based educational solutions for the classroom.
Under the supervision of model maker Mark Anderson, 32TEN Studios creates 19-foot “miniature” models of the massive gates that welcomed visitors to the prehistoric theme park Jurassic World.
Iloura VFX supervisor Glenn Melenhorst discusses the return of Ted, the politically incorrect talking teddy bear that stars in Seth MacFarlane’s adult comedy sequel.
Japanese animated feature ‘Miss Hokusai,’ winner of the Jury Award at Annecy 2015 from director Keiichi Hara and Production I.G., and Marvel’s ‘Ant-Man’ set to open Fantasia 2015.
Shotgun RV custom shader developed by The Mill enables filmmakers to review scenes for 360-degree and virtual reality projects.
Former Light of Day creative director Leo Nguyen joins Carbon VFX with an impressive skillset that spans across art direction, illustration, 3D, motion graphics and editing.
Software update introduces important advances in physically based rendering for VFX and CG animation.
London-based VFX house delivers 1,000 VFX shots for BBC mini-series ‘Jonathan Strange & Mr Norrell,’ including 3D environments, crowd simulations, water, mud and sand effects simulation, modelling and texturing, matte painting, animation and 2D work.
See costumes from the upcoming ‘Batman v Superman: Dawn of Justice’ film, two life-sized LEGO Mystery Machines, and an interactive social media sweepstakes photo op with ‘The LEGO Movie’s Wyldstyle.
Submission deadline for Scientific and Technical Awards is Friday, July 10; Animated Short Film submissions must be made by Thursday, October 1; Animated Feature submissions are due Friday, October 30.
Next adventure in the Anthology series of ‘Star Wars’ films to focus on how young Han Solo became the smuggler, thief, and scoundrel whom Luke Skywalker and Obi-Wan Kenobi first encountered in the cantina at Mos Eisley.
The newest addition to Humble’s growing Los Angeles office, Lords most recently served as managing director and executive producer at Morgan Spurlock’s commercial production banner, Warpaint.
