New tools and workflow improvements include max creation graph enhancements, one-click print studio access, simple simulation data import, text and shape mapping, and more.
Directed by Mat Whitecross and produced by My Accomplice’s Hannah Clark, new video employs performance capture by Andy Serkis’s The Imaginarium and animation and VFX by Paris-based Mathematic.
Iray plug-ins for Autodesk 3ds Max and Maya support NVIDIA’s new distributed rendering solution, Iray Server, now in open beta.
Disney and Pixar’s CG-animated feature performs below expectations, bringing in $39.2 million for the three-day weekend, the lowest debut for a Pixar film since the $33.3 million take of ‘A Bug's Life’ in 1998.
World’s first fully remote visual effects studio leverages integration of Shotgun with Cospective’s synchronized review-and-approval tool cineSync to ensure a harmonious workflow.
On the heels of the company’s move to a subscription-only model for its software suites, Autodesk reports sluggish results for the third quarter of 2015.
CO3 colorist Greg Fisher worked with ‘Spectre’ director Sam Mendes and cinematographer Hoyte Van Hoytema to build subtle differences into the looks of each of the movie's many locations.
Post-production and storytelling spotlighted in new innovative editing competition.
One of the world’s first games to employ WebGL technology, ‘Safari Zoobabu’ leverages Next Limit’s Maxwell Render technology to create photorealistic stereoscopic 3D experience.
Best-in-class concepts from Korea, Malaysia, Thailand, Australia, Singapore, India and China will be pitched live to buyers December 7-9 in Jeju, South Korea.
Preschool brand adds Android and iOS to growing platforms.
Rapid growth strengthens creative studio’s film operations and expands commercials arm.
Industry-leading event returns to Indian Wells with a focus on the future.
Collaboration with Daniel Kleinman spans four months and dozens of Framestore artists.
Top-shelf game developer to incorporate IKinema RunTime full-body IK solver middleware into future game titles.
Veteran technology exec to focus on scaling development efforts, cloud rendering strategy for advanced image rendering software Arnold.
‘Marco Polo’ and ‘Gotham’ lead with multiple nods from the American Society of Cinematographers.
Versatile creative director and designer most recently worked on ‘Hunger Games’ virtual reality experience for Legendary Pictures and Samsung.
Brickyard VFX Boston moves into new 8,000-square foot studio housing seven Flame bays, multiple CG workstations, a four-wall edit room, expanded production offices, and a screening room to facilitate virtual grading sessions with Company 3 colorists in LA, NY and Atlanta.
New streamlined workflow features include new physically based rendering engine for hyper-realistic 3D characters and scenes, adaptive rigging, custom parameter palettes, and more.
Dover Studios co-founder Andrew Hazelden releases PlayblastVR, a new renderer for Softimage that creates hardware rendered panoramic 360 degree images using OpenGL.
Leading creative professionals share 3D/2D tips and techniques to showcase seamless integration and optimized workflow between MAXON Cinema 4D and Adobe Creative Cloud.
Executive producer Michael Flexner to lead revamped live-action division, which produces commercials and digital content for a diverse range of brands.
Stop-motion/CG-animated hybrid short written and directed by Ty Coyle and Bill Dorais is the follow-up to last year’s ‘Enjoy the Sweets.’
Founder & Creative Director Linas Jodwalis joins forces with Director Matt Egan and EP Tom Leonard.
