Pixar Animation Studios announces a series of important innovations in the latest version of its forthcoming Academy Award-winning RenderMan software, including Advanced Global Illumination, New Pricing and Free Non-Commercial Use.
Visual-effects company Sony Pictures Imageworks plans to moves its Los Angeles headquarters to Vancouver.
Co-directed by Michelle Dougherty and Karin Fong, Imaginary Forces creates an eloquent new commercial for Sapporo.
Internationally award-winning animation and visual effects company BENT Image Lab opens a new office in New York City.
Chairman of Entertainment Kevin Reilly announces that he will depart Fox Broadcasting Company by the end of June.
New management firm launched by former Superfad managing director offers multi-disciplinary talent & integrated production solutions.
a52 and Rock Paper Scissors deliver a series of powerful and inspiring commercials for the new BMW i8 in collaboration with Director Gus Van Sant
Postproduction studio creates collaborative review workflow for feature films, TV and commercials.
Entertainment branding agency bolsters talent with new creative spaces in New York & Los Angeles, adding Heidi Erney as Executive Producer and Janice Walbrink as Director of Business Development.
Featuring an interactive timeline of the history of ‘Sleeping Beauty,’ rare treasures from the Disney archives, explorable environments from the world of ‘Maleficent,’ cast and crew interviews, never-before-seen concept art, storyboards and sketches, exclusive photos and featurettes, fun facts, character profiles and more.
Thinkbox Software launches Dealine 6.2, featuring several enhancements to the software’s established plug-ins and scripts.
As the lead VFX company for ‘X-Men: Days of Future Past,’ MPC delivers futuristic sequences, including creating the Sentinels from concept art through to final compositing, the X-Jet, Xavier’s virtual world, future environments and creating mutant effects.
The deadline for submissions to the New York City Horror Film Festival is June 30, 2014.
Bicoastal creative collective /Wildchild/+bonch announces the addition of new creative talent, including Editors Deirdre Bell, Charlie Cusumano, Keith Olwell and Michael Sullivan, Creative Director David Winkfield, Managing Director Scott Spanjich and Senior Producer Val McAndrews.
Bryan Singer's critically acclaimed ‘X-Men: Days of Future Past’ soars at the Memorial Day weekend box office with a global debut of $302 million -- the best of any ‘X-Men’ film.
Mixamo Fuse has extended the ability to customize 3D character features to imported content, bringing limitless creative possibilities to game artists, game modders and hobbyists.
Three years into the project that many had been anticipating based solely upon his involvement, director Edgar Wright exist Marvel’s ‘Ant-Man.’
Lead VFX house MPC returns to the Marvel Universe for ‘X-Men: Days of Future Past.’
In collaboration with data journalist Simon Rogers and creative agency Roundhouse, technology studio Universal Everything creates an immersive data narrative experience exploring the power of big data.
SIGGRAPH 2014 announces an augmented reality/virtual reality contest in order to showcase the best augmented/virtual reality experiences to date.
Design & live action production studio BRKLY creates an action-packed promo that captures the spirit of the head-to-head competition series.
On-stage performer tracking, projection mapping, and giant inflatables captivate audiences at Miley Cyrus’ Bangerz show, Cirque du Soleil, and other worldwide tours.
Visual effects veterans move production-side and bring Shotgun with them to manage massive shot volume and streamline multi-vendor processes.
Short film celebrates university's upcoming centennial to kick off new "Let There Be" fundraising campaign.
As production begins in Michigan, Warner Bros. unveils the title of its previously untitled Batman-Superman feature: Batman v. Superman: Dawn of Justice.
