As the lead VFX company for ‘X-Men: Days of Future Past,’ MPC delivers futuristic sequences, including creating the Sentinels from concept art through to final compositing, the X-Jet, Xavier’s virtual world, future environments and creating mutant effects.
The deadline for submissions to the New York City Horror Film Festival is June 30, 2014.
Bicoastal creative collective /Wildchild/+bonch announces the addition of new creative talent, including Editors Deirdre Bell, Charlie Cusumano, Keith Olwell and Michael Sullivan, Creative Director David Winkfield, Managing Director Scott Spanjich and Senior Producer Val McAndrews.
Bryan Singer's critically acclaimed ‘X-Men: Days of Future Past’ soars at the Memorial Day weekend box office with a global debut of $302 million -- the best of any ‘X-Men’ film.
Mixamo Fuse has extended the ability to customize 3D character features to imported content, bringing limitless creative possibilities to game artists, game modders and hobbyists.
Three years into the project that many had been anticipating based solely upon his involvement, director Edgar Wright exist Marvel’s ‘Ant-Man.’
Lead VFX house MPC returns to the Marvel Universe for ‘X-Men: Days of Future Past.’
In collaboration with data journalist Simon Rogers and creative agency Roundhouse, technology studio Universal Everything creates an immersive data narrative experience exploring the power of big data.
SIGGRAPH 2014 announces an augmented reality/virtual reality contest in order to showcase the best augmented/virtual reality experiences to date.
Design & live action production studio BRKLY creates an action-packed promo that captures the spirit of the head-to-head competition series.
On-stage performer tracking, projection mapping, and giant inflatables captivate audiences at Miley Cyrus’ Bangerz show, Cirque du Soleil, and other worldwide tours.
Visual effects veterans move production-side and bring Shotgun with them to manage massive shot volume and streamline multi-vendor processes.
Short film celebrates university's upcoming centennial to kick off new "Let There Be" fundraising campaign.
As production begins in Michigan, Warner Bros. unveils the title of its previously untitled Batman-Superman feature: Batman v. Superman: Dawn of Justice.
Award-winning production company Tool announces the addition of Robert Helphand to its commercial team as Executive Producer of Live Action.
Art studio Atomhawk Design releases a new show reel to launch the company’s enhanced animation services.
The Third Floor’s previs supervisor discusses the extensive use of previs, techvis and postvis on Sony’s latest superhero hit.
A new trailer is released for Disney and Marvel’s ‘Guardians of the Galaxy,’ which shows Vin Diesel and Bradley Cooper speaking in the guise of their CGI “Groot” and “Rocket” characters.
Visual effects supervisor Everett Burrell joins shade VFX; company recently completed projects for Jon Favreau’s ‘Chef,’ Sony’s ‘The Amazing Spider-Man 2,’ and Disney’s ‘Million Dollar Arm.’
Curating innovative campaigns and producing award-winning content, executive producer Marisa Fiechter joins Psyop.
Led by MPC VFX supervisor Guillaume Rocheron and VFX producer Philip Greenlow, the UK-based Moving Picture Company serves as the lead VFX studio bringing the iconic title creature to life in Warner Bros Pictures’ and Legendary Pictures’ ‘Godzilla.’
Legendary Pictures and Warner Bros.' Godzilla debuts to a monstrous $93.2 million at the domestic box office, giving the iconic giant lizard a new lease on life and delivering the second-best opening of the year after Captain America: The Winter Soldier.
3D animated feature based upon Angela Sommer-Bodenburg’s bestselling series of children’s books is set to be completed in summer 2016.
Strategic design agency Trollbäck + Company creates the show open for new HBO comedy series, ‘Last Week Tonight with John Oliver.’
MPC Creative is enlisted by The Richards Group to direct and produce the all-new Fiat campaign featuring the King of the Monsters.
