Latest free update boasts 100 new and modified features including Maya 2016 support and advanced VR rendering.
Attendees will see Vantage in action with presentations by Vicon customers including ILM, Digital Domain and Epic Games, and virtual reality demos powered by Vicon systems.
New material exchange platform initially open to Substance Live users; Substance textures and smart materials can be distributed for free.
Company appoints Sean Mullen as creative director and David Kern as games technical director based at the animation studio in Bangalore, India.
Originally prototyped during the 2015 Global Game Jam by Cogswell students Christian Sasso and Steven Ulrich, ‘We Are Cubed’ is the next evolution of 3D puzzle game.
New features in DaVinci Resolve 12 include a new interface, multi-camera editing feature, enhanced core editing tools, new audio engine, redesigned media management tools, new color grading tools, remote rendering and improved editorial workflows.
Two weeks after its release, Marvel’s ‘Ant-Man’ narrowly beats out Sony’s new action-comedy ‘Pixels’ at the North American box office.
DigitasLBi enlists Motion Theory director Mathew Cullen to direct ‘Factory’ for Maytag, with visual effects provided by MTh sister company Mirada.
New director of business development formerly worked with Motion Theory & Mirada Studios.
A great way for people to share research hot off their hard drives, this year’s Posters will be featured on 10 digital display kiosks with each poster scheduled for a 25-minute presentation throughout the week.
Former senior art director at Click3x has worked with high-profile commercial and broadcast clients including Verizon, HBO, Olay, MasterCard, Nat Geo, Wendy’s and Movado
Virtual reality installations include Legend3D’s project for ‘Crimson Peak’; the return of V-Ray Days to feature Method Studios, Atomic Fiction and Ruairi Robinson.
Hybrid studio offers integrated services for feature film and broadcast color, visual effects and emerging technologies.
New two-minute, 20-second trailer from Sony Pictures Entertainment is filled with plenty of action and intrigue as Bond uncovers the existence of the sinister organization known as SPECTRE.
Led by VFX/CG Supervisor Timothy Hanson, ZOIC Studios employs RealFlow to help create simulations for Marvel blockbuster ‘Avengers: Age of Ultron,’ completing nearly 100 shots for the movie.
Can’t-miss offerings include ‘Frozen’ Sing-Along, ‘Toy Story’ 20th Anniversary, ‘Star Wars,’ and secret special guests.
Blu-ray combo pack includes more than 90 minutes of high-octane special features; ‘Mad Max 4-Film Blu-ray Anthology’ set also available September 1.
Leading trade organization honors esteemed post-production executive with special award on the 10th anniversary of the Hollywood Post Alliance Awards.
Disney continues its recent trend of remaking its animated classics into live-action films that started with ‘Maleficent’ and ‘Cinderella’ and now includes ‘Mulan,’ ‘Winnie The Pooh,’ ‘The Jungle Book,’ ‘Beauty and the Beast,’ ‘Dumbo,’ a new movie starring ‘Peter Pan’s Tinker Bell, and the ‘Bald Mountain’ sequence in ‘Fantasia.’
New feature in Thinkbox Software’s scalable solution for managing compute resources across platforms on physical and virtual machines automates the configuration of render farms on Amazon EC2.
Digital art festival meetup set for July 24th In London to host talks with Ninja Theory graphic designer and art director Alessandro Taini and concept artist Chris Rosewarne, whose film credits include ‘Avengers: Age of Ultron’ and the forthcoming ‘Star Wars Episode VIII.’
New division to be headed by Garrick Dion; First project will be ‘Collared,’ written by Chris Osbrink and directed by ‘Juan of the Dead’s Alejandro Brugues.
Chicago-based creative studio builds on its past successes with Marvel’s ‘Guardians of the Galaxy’ and ‘Captain America: The Winter Soldier.’
Team captures data from more than 160 attendees in four days with OptiTrack motion capture technology.
Peyton Reed’s ‘Ant-Man’ makes $58 million domestic debut, the second-lowest bow for Marvel Studios since ‘The Incredible Hulk’ opened to $55.4 million in 2008.
